Yuval
搜索"Yuval" ，找到 以下影视作品
导演：
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伊藤·福克斯
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MayaDagan
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DanaFrider
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AlonLevi
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EfiBibi
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AngelBonani
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LiorCohen
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TchiaDanon
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YuvalEdelman
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TalKalay
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IdoRosenberg
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Maya
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Dagan
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Alon
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Levi
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Ido
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Rosenberg
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安吉尔·伯纳尼
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梅尔（IdoRosenberg饰）的妈妈一直视歌星兹维卡·皮克为偶像。在儿子10岁生日那天她抛家弃子去追寻梦想，梅尔无时无刻不想找到她。进入高中后，梅尔与青梅竹马的女伴苏丽（DanaFrider饰）同时喜欢上英俊男孩加比（AlonLevi饰），友情与爱情的煎熬最终促使他踏上寻找母亲的旅途，却在特拉维夫意外绽放光彩，成为了惊艳的变装皇后“玛丽露”。他开始感到也许寻找的不是母亲，而是真正的自己......《玛丽露》是《我的军中情人》导演伊藤·福克斯为以色列HOT电视台倾力打造的4集音乐电视电影。该片有其现实原型：以色列70年代著名歌手兹维卡·皮克（TzvikaPick）。皮克创作的自传歌曲“玛丽露”被伊藤·福克斯吸纳进音乐剧中，衍生出了一个多姿多彩的成长故事。《玛丽露》在播出后引发空前轰动，影评人纷纷盛赞该片兼具《妈妈咪呀》的亲情元素以...
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德罗尔·莫雷赫
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以色列秘密平安构造“辛贝特”(Shin Bet)的6位前引导人报告了该国1967年之后的汗青,包含那些公然的跟鲜为人知的汗青。假如你以为你懂得中东,那么你必需看看这部记录片,它会让你大开眼界。 辛贝特是以色列的国度平安机构,主要担任守卫海内领袖跟本国来访政客的人身平安。他们的座右铭是“看不见的盾”,在任何时间他们的成员姓名都是保密的,只有引导人的名字会被表露出来。辛贝特是一个很胜利的构造,有些人对他们颇有微词,包含他们刑讯逼供的不择手腕,再有就是1995年他们没能阻拦对事先总统拉宾的暗害。 在以色列汗青上,曾有过十三任的首级。而在从前三十年里,只有六自我有资历管辖这个机构。此前,他们从未接收过任何采访,在导演德赫-莫雷赫的镜头前,他们第一次翻开了话匣。“究竟是什么让他们决议道出有关这个构造的秘密跟运作方法！”从1980年任职的亚伯拉罕-沙洛姆,到2011年刚卸任的尤瓦尔-迪斯金,他们以布满自负跟寻衅的口气议论了以色列的秘密行为!审判手腕跟反恐办法。这些处于机构最高等其余人,深知许多政权内情,而将来在他们眼中倒是一片暗淡…… 「幕后制造」 以色列导演德赫-莫雷赫的灵感起源于2003年的奥斯卡最佳记录片「战役迷雾」。当时,莫雷赫刚制造完对于以色列前总理阿里埃勒·沙龙的片子,他认识到辛贝特在从前的四十年里在政坛表演了决议性的脚色。阿米-阿亚隆是六位辛贝特首级中第一个赞成接收采访的。基于这个构造的秘密性,他们之前谁都不这种采访的教训,莫雷赫预备的许多话题不是波及秘密就是太甚敏感。 只管有这些难题,莫雷赫仍是惊喜于阿亚隆的踊跃共同立场,他不只怅然接收拜访还帮助接洽其余幸存上去的辛贝特后任引导成员：亚伯拉罕-沙洛姆!亚科夫-佩瑞!迦米-吉隆跟阿维-迪西特。而第六位辛贝特首级尤瓦尔-迪斯金在接收采访时还在任期中。固然这些人都违心参加影片的拍摄,但在最初有些人不违心议论本人阅历过的政治变乱,好比沙洛姆便不违心谈起本人在公交车挟制变乱跟处决恐惧分子中表演的脚色,尤其是随后的丑闻直接招致了他离任。不外,跟着时光的推移跟莫雷赫的相同与勉励,对于这一变乱的访谈曾经成为了片子主要的一部门。 片中主要涵盖的是1967年之后的以色列汗青。辛贝特不属于部队机构,而是直接服从于国度总统,它作为以色列体系的一部门而存在,偶然间它也是政客犯毛病时的大众替罪羊。在1967年之后,辛贝特绝大部门的任务重心都放在约旦河西岸跟加沙地带的反恐谍报网络。导演跟多少位辛贝特成员,固然不雅念不太雷同,但都以为在现今的门路下,以色列很可能收成苦果。而至于巴以摩擦,莫雷赫说：“跟平是可能的。疑问是以色列缺少引导力,在汗青上不什么引导人违心跟巴勒斯特好好相同。”
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杜瓦·科萨史维利
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Yuval Segal
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拉米·希尔伯格
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莫尼·穆索诺夫
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利奥尔·阿什肯纳齐
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阿尼娅·布克斯坦
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Orit Cher
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Ronit Eitan
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Ian Fisher
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Becky Griffin
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Anali Harpaz
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杜瓦·科萨史维利
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Anastasia Kovelenko
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Mickey Leon
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Irit Nathan Benedek
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Alon Neuman
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A colorful extreme display of the Israeli director. Matana MiShamayim is quite different from Kosashvili's "Late Marriage". The primitive traditional family values (Georgian in this case) are brought here some steps beyond to present a comic macabre reality. Women ie. are portrayed in the film as objects to be used in the patriarchal chauvinistic society they live in. They are kidnapped, threatened, locked in a closet and often molested in order to channel shame on their husbands. On the other hand, they are always the center of of attention, encompassing every aspect of desire men have, thus they can control and manipulated men, but only to a certain extent - the head of the family (played by the amazing actor Mony Moshonov). Actors are doing a great job under Kosashvili's direction, and one can find similarities between him and Kusturica.
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Michael, a Danish gangster, takes his girlfriend, Sascha, and his extended criminal family on a luxury vacation in a fancy villa in gorgeous Bodrum, Turkey. Shopping, waterparks, barbecuing, and hardcore partying fill their days and nights. Having little regard for anything or anybody outside their world, they exist in a bubble of excess that is governed by Michael’s rules—and if the code is broken, they all know that violence will follow. But when Sascha befriends a Dutchman with romantic designs on her, she toys with Michael’s authority and creates a situation that cannot end well. In a breakthrough performance, Victoria Carmen Sonne fully commits as Sascha, the complex young moll that eludes assumptions and expectations. First-time writer/director Isabella Eklöf has a dynamic visual touch and a flair for dark comedy and creates a destabilizing discord as she elaborately fills the frame with colorful, seductive images while telling a disturbing, graphic tale of brutality and power. Holiday provokes, challenges—and even implicates—the viewer in its unsettling reflection of our times.
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Yitzhak runs the turkey farm his father built with his own two hands after they emigrated from Iran to Israel. When his son Moti turns thirteen, Yitzhak teaches him the trade, hoping that he will continue the proud family tradition. But Moti doesn't like working in the turkey barn; his passion is fixing up junkyard cars and bringing them back to life. Moti's mother Sarah tries to reconcile between the two, while his grandfather pushes Yitzhak to take a firm hand with his son. Yitzhak takes Moti's refusal to work in the turkey barn as a personal rejection. Though he loves his son dearly, he makes it his mission to impose the family farm on Moti. The arrival of Darius, the uncle from America, sets off a chain of events that will undermine the familial harmony. Soon enough Yitzhak will learn that his son is just as stubborn as he is. The conflict is inevitable. Written by Yuval Delshad
