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苏利曼跟“苏丹片子俱乐部”的别的三名成员决议重振一家旧片子院。他们不只由于对片子的酷爱跟对规复古片子存量!再次存眷苏丹片子汗青的激烈盼望而连合在一同,并且由于他们都曾在放逐中接收过片子教导。不知倦怠地,他们试图让影院老板站在他们一边,让这个处所从新运作起来,但他们频频发明本人受到了相称大的阻力。同时,他们坐在一同议论从前——包含他们作为对峙艺术家遭遇危害乃至熬煎的阅历。他们还诵读亡命跟妄想苏丹时写的旧信,在那边艺术跟智力思惟能够自在。“咱们比他们聪慧,但不如他们壮大,”他们分歧总结了他们的处境。恰是在这些简练的时辰,不雅众能力够感知到友情,以及在为独特幻想而奋斗中存在的纽带跟认识状态的连合。 苏哈伊布·加斯梅尔巴里把苏丹片子的汗青放在影片的中央,同时也提醒了一个受到连续危急影响的国度的近况 Suliman and three further members of the ‘Sudanese Film Club’ have decided to revive an old cinema. They are united not only by their love of cinema and their passionate desire to restore old film stock and draw attention to Sudanese film history once more, but also by the fact that they have all enjoyed a film education in exile. Tirelessly, they try to get the cinema’s owners on their side and make the place operational again, but repeatedly find themselves up against considerable resistance. In the meantime, they sit together and talk about the past – including their experiences of persecution and even torture as oppositional artists. They also read out old letters written while in exile and dream of a Sudan in which art and intellectual thought can be free. ‘We are smarter than them, but not as strong,’ is how they unanimously summarise their situation. It is in laconic moments such as these that the viewer is able to perceive the friendship, as well as the bond and ideological solidarity that exists in the struggle for common ideals. Suhaib Gasmelbari puts the history of Sudanese cinema at the centre of his film and at the same time sheds light on the current situation in a country shaken by ongoing crises.
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演員文尼咸朗小時候擁有金嗓子,但童年都是被性侵的回憶,家鄉竟是以色列貝內貝拉克──極正直統猶太教徒聚居地。他一邊歌頌天主,一邊忍耐傷害,成年後才敢逃離傷心肠。法國女導演蘇柏曼跟隨他重返家鄉,尋找曾侵占他的長輩,創傷的心靈可會掉掉落癒合!片名呼應弗烈茲朗的「M」(1931),向孩子动手的人,總是以愛之名,文尼咸朗並非個別例子。而他不仅要控訴,更想跟家鄉及怙恃重歸於好。獲羅迦諾電影節評審團特別獎。
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Documentary film mixing rock and wine nature, Wine Calling has been turned in Occitania and everywhere where there are lovers of natural wine.
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一群盼望成為[專業護理師]的青年男女,到法國護理學校,計畫以三年時間來實現他們的人生夢想。他們尽力上課,汲取大批知識;每學期更赴醫院實習,學習專業技術,為即將承擔的重責大任做好準備。花樣年華的他們,提后面對了性命的本相,生!老!病!逝世,以及各式各樣的人道。面對層出不窮的殘酷挑戰,年輕的他們,該怎样調適本人!他們能將波折化為自负,迎向未來更多的挑戰嗎!
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Patricio Guzmán left Chile more than 40 - years ago when the military dictatorship took over the democratically-elected government, but he never stopped thinking about a country, a culture, and a place on the map that he never forgot. After covering the North in Nostalgia for the Light and the South in The Pearl Button, his shots get up-close with what he calls “the vast revealing backbone of Chile's past and recent history.” La Cordillera de los sueños is a visual poem, an historical inquiry, a cinematographic essay, and magnificent personal exercise in soul-searching.
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un film en cinq episodes de Dominique Deluze Depuis quasiment 15ans et 5film ,Dominique Deluze filme au Havre les diverses apparition d'une figure legendaire cree par le Royal de Luxe ,le Geant!
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在与天相连的莽莽群山之中有一座藏族村寨,因为出产的食粮不敷自给,生生世世靠运盐为生。老首级天尼的儿子本应是下一任村子的头人,却在运盐的路上不测身亡,而众望所归的继任者卡玛在天尼的眼中则是为夺头人之位而蓄意害逝世本人儿子的罪犯。在一次新的运盐路程开端前夜,村庄里以老天尼跟卡玛分离为首的两派各持一辞,各执己见。终极卡玛率领年青人在提前于白叟们占卜的日子动身,而天尼而率领本人当喇嘛的儿子跟孙子从前一群老侍从按占卜的日子上路。运盐步队不只一起跋山渡水还要应答群山之中意想不到的伤害,两支运盐的步队谁能战胜艰苦险阻先达到旅途的起点!本片影像作风粗狂绚丽!勾魂摄魄,好像仙乐般的藏密梵音贯串一直,令人赏心顺眼。 该片是由法国!尼泊尼!瑞士跟英国四国协作,历时9个月拍摄的剧情与记录大片,曾入围第72届奥斯卡最佳外语片奖提名以及2000年欧洲片子最佳拍照奖提名,并于昔时掉掉落了恺撒最佳拍照奖跟音乐奖。
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大麻,長期以來被當作緝毒的目標,不過最新的研讨發現,大麻拥有許多意想不到的療效,现在有數十個實驗室,正研讨大麻分子的机密,摸索大麻的醫療潛能。 說起來,真正發揮治療后果的大元勋,其實是人體自身,人體內部有一個[內源性大麻素系統],能够調節!守護人類身體機能;內源性大麻素系統遍及人體各處,能夠調節就寝!消化!發炎反應跟神經系統。天然界中的大麻素,不過是模擬了人體的[內源性大麻素]這把鑰匙,開啟了大腦神經活動。
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When 850 - 000 - bitcoins -half a billion dollars- disappear from Mt. Gox in Tokyo, its unconventional CEO, Mark Karpelès, is arrested. After a year, he's finally released for lack of evidence. Mark Karpelès is now free and breaks its silence.
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这部由法国青年导演鲁道夫·马可尼执导,消耗十年时间构想,两年贴身拍摄的时髦记录片「时髦大帝」,以看似随性不拘的叙说手段跟诗意化的影像作风,带你走进“时髦界的凯撒大帝”卡尔·拉格菲尔德,鲜为人知的隐密生涯与心坎天下。这位赫赫有名的时髦界之神,第一次首肯如许近间隔记录他的生涯,也是第一次如斯破体地出当初众人眼前。在影片中,拉格菲尔德泛论着他对时髦的看法,对文学!片子以及绘画等艺术元素的看法。乃至导演还捕获到了这位饱受争议的巨匠当面,鲜为人知的心坎独白。面临镜头,拉格菲尔德娓娓道来他如谜般的性向跟自爆少小遭男女轮流性侵变乱,让不雅众零间隔的亲近这位时髦大帝。
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高楼大厦见地过了,导演用非凡的拍摄技能引领咱们进入了虫豸的天下。出其不料,在这里,平气节人“恐惧”的虫子门展示出了另一种纷歧样的美。当你近间隔细心不雅察这个天下时,你会发明本来毛毛虫的毛本来这么润滑;相互依偎的蜗牛温馨得赚人眼泪;勤恳的屎壳郎天天都在当真应付着他们的粪球;蜘蛛会在水下用一个吝啬泡作为本人的餐厅;天牛就像公牛一样在相互较量。每只虫子本来都未曾闲着糟蹋时间。微不雅下的虫子天下,带给不雅众的除了视觉的震动,另有天然界无奈向人类诉说的情理。
蓝光/HD高清