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平易近国三十八年,公平易近当局片面退却,李弥将军所带领的第八军仍在云南方疆作困兽之斗。在风声鹤唳的流亡中,他们赶上另一支由李国辉团长引导的军队,双方人马协力逃出国境,树破据点,开展长达五年的异域生活。但就在他们日渐强大的同时却自愿撤军,使他们辛劳斗争的五年时光成了毫有意思的就义... 「异域」是由一部禁书改编,已经被电检处禁演。朱延平压服了黑道年老,允许为他拍一部卖座片「大头兵」,用来交流拍摄「异域」的权力。没想到最后「异域」比「大头兵」愈加卖座。朱延平以为,「异域」最主要的是使得台湾地域的电检轨制行进了一大步。由于这部片子,人平易近举办了游行,电检处做出了妥协,从修剪21刀到16刀,再到最后的一刀没剪。这部戏边疆不引进过,然而朱延平信任它的主题曲许多人都晓得——罗大佑的「亚细亚的孤儿」。
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★依据西班牙滞销图像小说改编,揭开西班牙内战史上最暗中的一页。 ★极限追击,绝无冷场,他一自我面临全部国度的血腥猎杀。 时值西班牙佛朗哥将军专制政权,一组反动军游击队欲直接损坏义务,并藉此颠覆专制当局,不意行为出了错误,游击队队长安赛默因爆炸永远得到了听力。面临当局军的地毯式搜寻跟追杀,安赛默必需规避致命的追击,并营救遭俘虏刑求的同道,一场保命与救济的无声战役行将开展…
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本片故事取材于实在变乱。1937年12月13日,侵华日军攻占南都城,直接了惨无人性的大屠戮。为了掩护灾黎跟中国武士的性命平安,以肃然法师为首的栖霞寺和尚自发构造起来,开办释教灾黎收留所,先后支援跟安顿灾黎24000多人。在与日军的抗争中,很多和尚惨逝世在日军的枪口下。肃然法师等人不畏就义,一边支援伤病灾黎,一边想法掩护抗日武士,掩护他们平安过江,又冒着性命伤害把记载着日军南京大屠戮罪证的胶片送出南京。在与日军抗争的进程中,赤手空拳的中国和尚们面临逝世亡,绝不害怕,以普度众生,慈善为怀的释教教义为兵器,开展背靠背的奋斗,誊写公然信,揭穿日军暴行,与横暴的日军直接了一场人性与兽性的比赛。终极公理克伏罪恶,顾全了千年古寺,掩护了24000多灾平易近的平安,全片弘扬了巨大的人性主义跟爱国主义精力,弘扬释教和尚崇高的爱国情操,展示一段不为人知的故事。
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七十年月出品的大型战争片之一,核心是美国与岛国日本水师对垒的半途岛战争。在昔时的一批同类片子之中,本片不算是凸起之作,导演杰克.斯米特的处置手段比拟较较平淡,但超等明星声威却能够令明天的不雅众重睹上一代巨星风度,而海战的局面也其实拍得真切,使本片仍保持了相称的兴趣性。主演的巨星包含:查尔顿.赫斯登!亨利.方达!格伦.福特!罗伯特.米彻姆!克里夫.罗布森!詹姆斯.科伯恩!三船敏郎。事先仍是新秀的汤姆.塞莱克也露脸演了一个小脚色。
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当Ateet Rana上尉掉落并被军方宣告逝世亡时,他的共事Vishwa Karma自告奋勇娶了Ateet的老婆并照料他的女儿。事件产生了意想不到的转机,当Ateet在十年后回到他的家人。
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1946年首届戛纳影展大奖跟最佳导演奖得主,也是法国“优质片子”派别导演克莱芒的童贞作。本片讲的是二战时代法国铁路工人的地下抵御活动的点点滴滴。共分为四个片断:一是1941年铁路游击队员机密经由过程德军封闭的界限;二是1942年损坏德军军事设备但有兵士为之就义;三是1943年游击队突袭火车站掉败;四是1944年铁路工人们与登岸盟军协作掀翻德军器车的行为
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1937年暮秋,为规避战乱,中国医天生贤(秦汉 饰)携带怀怀孕孕的岛国日本老婆理惠子(早乙女爱 饰)跟孩子从上海逃到南京故乡,他没想到南京也差未多少快被侵华日军夷为废墟。原告诉能够进入西欧列强权势掩护的平安区遁迹时,成贤以为本人与灾黎身份差别没做理睬,投奔了老友人继承行医。以小学先生刘天琴(刘若英 饰)为代表的同胞的喜剧令他震动末路怒,但他以为本人重要义务不是对抗暴敌而是渎职做好一名大夫。 同年冬天12月13日,南京片面掉守,日军开端在南京跋扈狂烧杀淫掠,成贤终于认识到日军的残暴麻痹,让老婆先行一步去平安区规避,本人则留上去继承杀人如麻,他不晓得的是,平安区早已有名无实,而要对抗时,他发明已无可能。
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影片报告了二战中备受注视标战役机中队的故事。中队的大少数士兵来自波兰,他们加入了不列颠之战,与英国皇家空军并肩作战,奋勇反抗纳粹的打击。战役中303中队击落的敌机数目到达了其余中队的三倍之多。
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奥斯卡(大卫·本奈特DavidBennent饰)的家庭有些荒诞。他的母亲和自己的表弟相恋,由于近亲不能结婚,所以被迫嫁给了一位商人。奥斯卡是谁的孩子只有他母亲知道。在他三岁生日那天,母亲送了他一面铁皮鼓。奥斯卡十分喜欢,整天挂在脖子上敲。一天,奥斯卡躲到桌子底下玩的时候发现了母亲与舅舅的秘密,他认为成人世界充满了欺骗,于是决定不再长大。当奥斯卡从楼上跳下时,奇迹发生了,他从此不再长高,身高永远只有三岁的水平!奥斯卡还意外获得了一种神秘的能力――高分贝的尖叫。当看到母亲与舅舅幽会时,他会爬上钟楼,用尖叫震碎所有玻璃;当老师责骂他时,他的尖叫震坏了老师的眼镜。奥斯卡维持着三岁的身高水平慢慢长大。
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上世纪30年月的赣南地域,在这个被称为中国反动“白色摇篮”的处所,已经有如许一位母亲,她将八个儿子先后送入赤军,奔赴疆场火线。但烽火无情,兄弟中的六人连续就义,只剩下年老杨大牛跟最小的孩子满崽。满崽找到了大牛的军队,成了欧巴麾下的一般一兵,一场场艰难战役的淬炼让新兵满崽敏捷生长为一个真正的兵士。最后的战役打响了,为了保护雄师队平安撤退,杨大牛率领弟弟满崽跟全部战友浴血搏斗,直至弹尽粮绝…… 豪杰的身前,是枪林弹雨的疆场,而在豪杰的死后,故乡的村落仍然安静宁静,轻风吹过金黄的稻浪簌簌作响,一位年老的母亲正在村头的小路旁孤单的守望…… 影片依据江西赣南地域众所周知的“八子从军”的故事改编。在烽火硝烟的年月,万万人平易近人平易近投入到增援反动战役中,贡献了本人的所有。作为谁人残暴年月的缩影,骨血相连的母子情!不离不弃的兄弟情!忠心耿耿的家国情.....有数勾魂摄魄!难以割舍的情绪凝集于影片之中,独特谱写了一首可歌可泣!永久长存的豪杰乐章。
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由于经常听到奇怪的声音,憔悴的女子劳拉(蒂娜·坦泽尔TinaTanzer饰)接受了较长一段时间的药物治疗。某天,一道极强的白光改变了整个世界。当劳拉再次醒来时,发现城市依然故我,但城中的百姓却不见了踪影。不久,它遭到一个圆形的巨大机器的袭击,关键时刻被名叫路易斯·尼尔(奈特·凯西迪NatCassidy饰)的男子救下。从路易斯的口中得知,似乎一种神秘的物种如今了地球,消灭了绝大多数的人类。少数幸存者中还有许多变成丧失心性的僵尸。之后劳拉又遇到其他正常的幸存者,发现他们和自己一样仿佛都因为长久服用药物才幸免于难。随着时间的流逝,劳拉他们似乎发现了自己与未知生物之间的联系与秘密……
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故事发生在二十世纪初的墨西哥反动中。一辆远程马车里,高尚的老师密斯们对一位缄默寡言的农夫大放厥词,但是忽然农夫摇身一变,显落发庭式匪帮喽罗胡安(Rod Steiger 饰)的真面貌。胡安掠夺后路遇爱尔兰反动军爆破专家约翰(James Coburn 饰),后者的爆破才能令掳掠梅萨维德银行如缘木求鱼,于是胡安苦苦尾随,不经意间却卷入了共同维拉反动军的梅萨维德暴乱。胡安如愿与约翰错误洗劫银行,但他全部的收成倒是束缚150名政治监犯。 当局军上校刚特率军弹压反动,胡安与反动步队支付了凄惨的价值。在顺境中,约翰与胡安发生了真正的反动情义,二人在前去美国的路上折返阻击刚特上校,当约翰中弹之时,这位老兵士看到了往日在爱尔兰的温馨场景……本片获1972年意大利大卫奖最佳导演奖。
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1597年的朝鲜王朝危急四伏,朝鲜水师主力跟着上将李舜臣(崔岷植 饰)被贬而遭遇伟大袭击,军纪崩溃,只剩大批兵舰。而倭寇乘机派出胁坂安治(赵震雄 饰),协同令人谈虎色变的“海贼王”来岛通总(柳承龙 饰)的海盗军独特反击,势必霸占汉阳。危急关头,李舜臣据理力图,决议带领仅 剩的十多少艘兵舰前往鸣梁海峡迎战倭寇。李舜臣先是召还手下任俊永(晋久 饰)去敌方会合卧底俊沙(大谷庆彦 饰),又重振军心,以“勇者生,畏者逝世”的气势,号令与倭寇决一牝牡。 决斗开端,李舜臣以身作则,逝世守血岛,击溃“海贼王”很多多极少拨先遣军,症结时辰任俊永的哑妻(李贞贤 饰)读懂他的唇语施展感化,使得李舜臣将船胜利得救。终极军平易近合力,重创了岛国日本舰队,发明白天下海战史上一次以少胜多的有名战争。
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故事改编自有名的二战军事变乱“敦刻尔克大退却”。二战初期,40万英法盟军被敌军围困于敦刻尔克的海滩之上,面临敌军步步迫临的绝境,情势万分危机。英国当局跟水师动员大量海员,动员国平易近起来营救部队。 英国士兵汤米(菲昂·怀特海德 Fionn Whitehead 饰)在押离海滩的进程中接踵结识吉布森与亚历克斯,同时平易近用船长道森老师(马克·里朗斯 Mark Rylance 饰)与儿子彼得!17岁少年乔治也分开英国,去往敦刻尔克挽救士兵。三人连续陷害了水师(基里安·墨菲 Cillian Murphy 饰)!飞翔员柯林斯及汤米一行人,而战役机飞翔员法瑞尔(汤姆·哈迪 Tom Hardy 饰)则在被朋友双面夹攻的艰苦情况下倔强战役。 影片的故事从陆!海!空三个角度报告,在德国部队的包抄下,每自我不得不为本人的运气破釜沉舟,才有可能在世回家。
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本片是由Joseph J. Lawson执导的一部影片。1944年,战事热火朝天,一支美国的坦克步队勇敢作战,却难敌纳粹部队的袭击,每每溃退,岌岌可危之际,他们找到了打破口,终于冲出敌军的防地。但是此时坦克燃料用完,他们不得不步行行进,路上他们碰到了一个修女,并从修女口中得悉不远处孤儿院另有很多孩子期待救济,本来担任掩护他们的美军护送队已被德军处决,修女执意归去掩护孩子,为了掩护无辜的人们,士兵们追随修女离开了孤儿院……
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有人说这是自残,但对第二游马队营来说,这是义务的另一种说法。当一群美国精锐士兵衔命捣毁一系列德国机枪阵地时,他们发明本人在自觉地冒险进入敌方国土。他们众寡迥异,设备落伍,必需冒着性命伤害穿梭伤害地带,永久不晓得朋友可能安身那边
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十六岁艺术家阿图尔的恋情被第一次天下大战的暴发打断了,得到母亲跟家后,他在从军中找到了一些抚慰,由于这是俄罗斯帝国第一次答应拉脱维亚人从军。但是,战役并不像他设想的那样——不但荣,不公正。这是残暴跟疼痛的。跟着战役夺去了他的父亲跟兄弟的性命,阿图尔当初完整是孤身一人。并且,俄军在许诺敏捷处理战役跟实时前往故里方面不任何停顿。只有他一自我关怀回家,他的故国只是其余国度的游乐场。在这种不雅点下,阿图尔为最后的战役找到了气力,并终极返国重新开端,就像他新出身的国度一样。
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It's the close of World War II. Unwilling to surrender| rogue German forces shoot down a returning British squadron leaving Sydney Baker wounded and lost with the enemy closing in. He's saved by American soldier and the duo must face their fears both internal and external| to defeat the enemy and make it back to friendly territory alive.
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丁善玺编导的本片,继「英烈千秋」后,叙说1937年8月13日日寇侵犯上海,中国88师524团团长谢晋元,为管束日军,保护中国部队后撤,带领480青年军官,号称四行孤军,猛攻四行堆栈,达三个月之久。武士勇敢杀敌,女孺子军冒着性命伤害给守军运送食品!医药,当管束义务虚现,守军超出姑苏桥后撤。本片的格式手段与「英烈千秋」完整差别,只限于多少成孤岛上海的姑苏河边的四行堆栈,数百中国武士与包抄的日军直接阵地战。导演依据史实,应用四行堆栈四周有英法租界,姑苏河劈面又是国统区,姑苏河两岸战役与跟平差别情况造成的戏剧摩擦,表示了爱国部队抗击侵犯者勇敢无畏的精力,跟上海国平易近支援公平易近党守军的时期氛围。导演掌握住两边摩擦的要素,支配丛生的险象,应用国军在枪林弹雨卑鄙过姑苏河,大众都为武士担忧的正反打镜头蒙太奇剪接办段,造成动平易近气魄的局面,把剧情推向热潮。本领件曾于1938年搬上银幕,是默片,由阳翰笙编剧,应云卫导演,袁牧之!陈波儿主演,是抗战时期“大前方片子”中较为有名的一部,此中女孺子军冒逝世为勇士们送国旗的细节,拥有极为悲壮的沾染力。影片在事先的大前方及香港极为惊动,并且在西北亚乃至西欧都掉掉落热闹反应。
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This is not a large scale multi-million dollar epic of World War Two. No thousands of extras, no wide panoramic sweep of battle scenes. This says more about The Battle of the Bulge than the movie of the same name. It's just an ordinary black and white M.G.M. production. What it lacks in size and scope it makes up for in impact.A simple story very well told, of a squad of GI's of the 101st Airborne Division, thrown into the maelstrom that was the German offensive in the Ardennes in December of 1944 - against the Allied ground forces. It's hard to believe that this film was not shot on location; but on a Metro sound stage. And Metro's Culver City was turned into the only outdoor location for the snow-covered, rubble-strewn town of Bastogne under siege, which was tenaciously held by the 101st, under the command of Brig. General Anthony McAuliffe. With the exception of Van Johnson as Pvt. Holly who was high profile on the Metro lot in his time, and George Murphy as Pvt. Stazak, the rest of the cast were character-type actors who filled their roles perfectly. James Whitmore as Sgt. Kinnie is drilling the squad in the opening scenes. The squad members talk of an enjoyable furlough in Paris which is suddenly cut short by the German breakthrough in the Ardenne. Ptv. Stazak hopes of going home are dashed because his authorised documents have not come through before the squad moves up front. Douglas Fowley as Pvt. Kippton seems to be the best in the squad at bellyaching.Maybe it's his dentures that make him a sourpuss. But Fowley's dentures turn into a class act; clicking away to the old song, "I Surrender Dear," through the courtesy of a German propaganda broadcast heard over the radio in a Sherman tank. Denise Darcel comes as a welcome relief of feminine pleasure; not out of place in the town of Bastogne itself. In an indoor scene, Pvt. Holly's eyeballs go into left-to-right overdrive as he stares at Denise's buxom rear end descending a flight of stairs. Then there's Holly again, nursing stolen newly-laid eggs, as valuable as gold nuggets. He's about to scramble them over a fire when the squad is told to saddle up and move out. Not for the first time does Johnson (Pvt. Holly) yell, "oh no!" A expression he's used in past movies also. The broken eggs in his upturned helmet are now a problem. In the end it's disaster. The German artillery scramble the eggs for Holly. Problem solved! On a three man patrol, Holly, Hodiak as Janness, Montalban as Rodriguez, intercept and force a jeep carrying a Major and two sergeants to stop and identify themselves. The knowledge that Germans are infiltrating in GI uniforms has made the patrol suspicious so the Major is asked how the Dodgers made out in 1944. The Major hesitates,but the Sergeant in the rear seat asks Holly who Betty Grable is married to. Montalban shouts back, "Cesar Romero". The Major says Romero is out. "Betty Grable is married to Harry James". The tense atmosphere relaxes. The patrol is convinced they're friendly. What is displayed authentically on this studio sound stage is the icy, bone-chilling atmosphere of the battlefield. The men hunkered down; the deeper the better, in their foxholes. Throughout nearly all this movie there is the constant rise and fall in the background of continuous artillery fire, like a rolling thunder. It never seems to cease. Sometimes it's close, sometimes distant. That, along with the freezing fog hanging like a thick whitish-grey blanket in the air, enveloping everything, gives off an atmosphere of crisis; a feeling of fearful tension. The men endeavour to dispel the fear with humour. Waiting and wondering when the enemy will appear ghost-like out of the mist-shrouded forest. Near the end of the movie, Leon Ames gives a good performance as a Army Chaplain. Trying to explain the reason for this necessary trip to Europe, to kill off a murderous political system that has already killed off millions. Before the end, the tables turn in the Allies favour. Sergeant Kinnie notices his shadow against the snow. The sun is breaking through and the mist rises. Allied tactical air power is back in business again with a vengeance. Veteran director William Wellman was not found wanting when he directed this movie. He had already proved himself with, "The Story of GI Joe", in 1945. Antiwar film? Any war film well made and convincing can be antiwar, and you do not need blood all over the silver screen to prove it. Antiwar or not, World War Two was a "popular" war. The reasons stuck out a mile. The Army Chaplain said so in so many words. The Ardennes offensive caught the Allies unawares. By late 1944 - battered the German forces may have been. But they still had a few nasty shots in their locker to scare the living daylights out of the Allied Command. We thought the Germans had run out of fighting steam, but old Field Marshal Gerd Von Rundstedt thought different.
蓝光/正片