Marín

搜索"Marín" ,找到 以下影视作品

逐浪之夏
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叛逆的纽约少女被退学送往澳洲,她在一群关系紧密的年轻冲浪者中兴风作浪,所到之处把大家闹得不可开交
夏日狂欢
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Eightclosefriendssoakuptheirlastdayofsummertogetheronthebeachbeforepartingwaysforcollege.
钛
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十名地球囚犯被放逐在布满伤害的星球XT-59,为了生活他们须要踏过大片池沼地达到幸福岛,这个星球独一的平安区,恶劣的气候跟来自地下的恐惧生物是威逼他们性命阻拦他们行进的最大阻碍。
继承第三季
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HBO剧《继承Succession》由电影《大空头》编剧导演AdamMcKay执导并监制﹑Jessemeijubar.netArmstrong(负责编剧)与WillFerrell参与制作,现定于美国时间6月3日首播。该剧围绕国际媒体巨头Roy一家的家庭丑闻内幕,这虽是虚构的故事,不过主创表示剧集有影射媒体巨子SumnerRedstone。剧中LoganRoy及他的四个孩子控制着全球最大的媒乐媒体集团之一,年迈的父亲(BrianCox饰)开始退出公司,而他的孩子则思索如何抓紧机会继承这帝国。其余演员包括JeremyStrong﹑HiamAbbass﹑SarahSnook﹑KieranCulkin﹑AlanRuck﹑NicholasBraun﹑MatthewMacfadyen﹑NatalieGold﹑PeterFriedman及RobYang。
报丧女妖
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这是一个关于复仇和家庭的复杂故事,讲述的是自由职业杀手女妖被杀死父亲的雇佣兵伏击的故事。
美国之锈第一季
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BasedonPhilippMeyer’scelebrateddebutnovel,AmericanRustisacompellingfamilydramaandatimelessstoryofwantingabrighterfuturewhilebeingheldprisonerbythepast.ThestoryofsurvivalandtranscendenceistoldthroughtheeyesofcomplicatedandcompromisedchiefofpoliceDelHarrisofaPennsylvaniaRustBelttownfullofgoodpeoplemakingbadchoices.Whe...
旧爱闯空门
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瓦蕾莉亞清楚知道自己要過何種生活,就算男人一個接著一個換,也從不留戀。她是女子排球教練,除了教學生遊戲規則外,也教這些女孩如何獨立,如何避免在愛裡受傷。她唯一放下戒備的男生,是在一年前與她分手並令她心碎的前男友馬克。某次突如其來的意外後,馬克重新闖入她的生活。瓦蕾莉亞決定對他進行報復,只不過事情沒她想得那麼容易……
勇闯人妖船
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ThisisthestoryofCaptainMuengman.Afteraccidentallymarryingaladyboyandlosinghisvirginitytoher…him…er,her…heisassignedtodoaveryspecialmission.HemustdefeatabandofladyboyterroristsleadbyGoldenFlower(DokTongaThaislangforprostitute),whoseintentistocauseharmtonormalmenandwomen.InordertocompletethemissionCaptainMuengmanandhisteammustdisguisethemselvesasladyboystoinfiltrateGoldenFlower’shideout.
味色小廚
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Director/co-writer Myriam Aziza's queer romantic comedy features a French woman (Sarah Stern) attempting to come out as a lesbian to her conservative Jewish family. Her long term relationship with her partner is threatened by her inexplicable attraction to a male Senegalese chef (Jean-Christophe Folly).
针
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In the bleak filmscape of glasnost, The Needle stood out as a black sheep of a movie. The most playful and offbeat of the Soviet films of the period, it contrasted sharply to the mainstream, which was overwhelmed with revisionism of the Stalinist past and nihilistic social criticism. Made in 1988 by a young Kazakh director, Rashid Nugmanov, fresh out of VGIK (the national film school), The Needle was a pioneering effort in several ways. Having e from a remote, stagnant republic of Kazakhstan, the picture set off a movement that has e to be known as the "Kazakh New Wave." Represented by such works as Alexander Baranov's and Bakhyt Kilibayev's The Three (1988) and Woman of the Day (1990); Kilibayev's The Tick (1990); Baranov's He and She (1990); Abai Karpykov's Little Fish in Love (1989); and Serik Aprymov's The Last Stop (1989), the Kazakh New Wave was for the agonizing Soviet film of the late 1980s what the French New Wave was for the dusty French film of the late 1950s. The Needle was the movement's a bout de souffle. The film also became a model for the Russian version of postmodernism—uninhibited and uninformed, pensating for the lack of culture, skill, and resources with mischief and wit. A young man named Moro (played by Viktor Tsoi, the late rock 'n' roll legend from the St. Petersburg band "Kino") returns to his Asiatic hometown only to find his exgirlfriend, Dina (Marina Smirnova), being a drug addict and himself being involved in the bizarre life of the city's underworld. In an attempt to save Dina, Moro takes her away to the Aral Sea, turned into a barren desert by the time they arrive. There Dina seems cured, but back in town everything starts anew. Almost desperate, Moro decides to fight the drug dealers, led by a hospital doctor (played by another rock 'n' roll star, eccentric leader of the "Sound of Mu" band and the future star of Taxi Blues, Pyotr Mamonov), when one of them stabs him in a deserted park.
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