Joan
搜索"Joan" ，找到 以下影视作品
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诺拉（Mira Bartuschek 饰）是一个一般的不克不及再一般的女孩,好像全部的浪漫故事都跟她无缘。在告白公司里,诺拉只是一个名不见经传的小小练习生,职业途径暗淡无光。一天,诺拉的表姐艾米丽忽然造访,素性可以在诺拉家接住,艾米丽的职业异常的奇异,她是一个职业约会员,她的到来替诺拉翻开了新天下的大门。 在一场主要的约会前夜,艾米丽居然由于食品中毒而卧床不起,无法之下,她只得委托诺拉取代本人去约会。此次的约会工具是一个名叫马克思（亚历山大·库昂 Alexander Khuon 饰）的漂亮富豪,让诺拉不想到的是,马克思居然对本人一见仍旧。
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安德鲁·弗莱明
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在当地小有盛名的美女侦察南茜•朱儿（艾玛•罗伯茨 饰）,由于父亲的买卖,分开了小镇,搬到洛杉矶生涯。跟着情况的转变,她也允许了爸爸,今后不再冒险破案,做一个一般的女孩儿。偶合的是,朱儿一家的新宅恰是奥秘逝世亡的好莱坞有名女影星德丽娅•德雷克特生前的寓所。自从德丽娅逝世后,这所宅子常常产生一些怪僻的变乱。这个奥秘的处以是及女星新奇的逝世因又激发了朱儿的猎奇心,她决议瞒着父亲,“重操旧业”。在男友奈德•尼可森（马克斯•希尔洛特 饰）跟新意识的小搭档科奇（乔什•弗里特尔 饰）的赞助下,朱儿逐步发明白一些线索,但与此同时她却收到了莫名的逝世亡威逼……
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RichardDix
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JoanFontaine
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乔治·莫雷尔
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Rose
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Plumer
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Mary
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MacLaren
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Kathleen
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Lockhart
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Horace
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Murphy
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费伊·麦肯齐
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Bill
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Nestell
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Nelson
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McDowell
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Merrill
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McCormick
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Ethan
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Laidlaw
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维克托·乔里
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小弗雷德·科勒
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Jack
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Ingram
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Olaf
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Hytten
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Cy
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Kendall
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Jane
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Keckley
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Chris-Pin
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Martin
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Sarah
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Padden
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贾森·罗巴
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The spirit of a murdered girl returns with a message. Now a stranded woman must team up with the staff of a local station to solve the mystery of her death.
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获得选美冠军的爱丽丝嫁给了自己心爱的人，并且为他生了一个儿子德斯。本以为可以一直过着风平浪静又不乏浪漫的生活，但是结婚十年后，爱丽丝的丈夫却背叛了这个温馨的家庭，与爱丽丝离婚。从此，爱丽丝独自带着儿子生活，依旧是云淡风轻。直到爱丽丝的丈夫不再支付德斯的抚养费，使得爱丽丝的生活陷入了窘境，她才开始尝试新的生活方式。
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蒂波尔·塔卡克斯
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「吸血鬼保姆」是一部加拿大电视剧,该剧已在加拿大,法国,美国顺次上映。该剧剧情紧接其同名电视片子。片子中,Ethan发明本人能够经由过程触摸一样货色,而瞥见幻影,相似于咱们所说的通灵者。而他的好友人Benny竟然是一个把戏师,固然他的咒语老是会出现纷歧样的效果,每次都须要他的邪术师奶奶来整理烂摊子。鬼使神差成为Ethan保姆的Sarah本来是一只重生的吸血鬼,而Ethan的好友人Rory也酿成了吸血鬼。危急化解之后,Ethan认为所有都市归来正轨,然而生涯老是壮志未酬。他们之间又会产生怎样样惊险安慰的故事呢！电视剧系吸血鬼保姆将会为你逐一出现。
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乔恩·克劳兹
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Asameanstodistractherselffromanaffair,alove-addictedwomanbefriendsacleaninglady,badlyscarredbyburns.Shesoonlearns,thesescarsrunmuchdeeperthanthesurface.
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"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
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WiththeimminentreleaseofRoseMatefeo’sbrandnewromcomStarstruckonBBCThreeattheendofApril,thiscomingyearmarksawatershedmomentinbroadcastinghistorywithmostBBCThreecomedyeitherstarring,writtenbyorcreatedbywomen.BBCThreewillbethefirstUKchanneltoachievethislandmarkinfemalerepresentationwith58%oflong-formscriptedcomedywrittenbywomen.UpcomingtitlesincludeLazySusan,StarstruckandEllieandNatasiaplusthesecondseriesofbothInMySkinandBacktoLife.Inadditiontothis,theBBCtodayannouncesfournewBBCComedySlicesforBBCThree,allofwhicharewrittenbyand/orstarfemaletalent:Ladybaby,Amicable,DinosaurandBritney,whichresultsinthemajorityofcomedyprogrammesonBBCThreenowbeingfemaleled.KateDaughton,outgoingHeadofComedyattheBBC,says:“BuildingonthehugesuccessofPhoebeWaller-BridgeandDaisyMayCooper,thismarksamonumentalachievementandistestamenttothefactthemostpioneeringandexcitingnewvoicesincomedyareincreasinglyfemale.”KateleavestheComedyCommissioningteamtodayhavingmadeatremendousimpactoverseeingaraftoffemalefirsttitles.SinceKate’sarrivalin2017shehascommissionedandnurturedFleabag,Mum,Ghosts,Gavin&Stacey:ChristmasSpecial(2019),ThisTimeWithAlanPartridge,BacktoLife,TheGoesWrongShow,OutofHerMind,TwoDoorsDown,InMySkinandManLikeMobeen.AlongsidetheforthcomingWitchfinder,Alma’sNotNormalandStephenMerchantseriesTheOffenders(w/t).ShaneAllen,DirectorofBBCComedy,says:“Fiveyearsagotherewerestillarticlesaskingwhereallthefunnywomenwere.Thathoaryoldnonsensecanfinallybedispensedwithonceandforall.It’salevelplayingfieldwiththemostvibrantanddynamicworkcomingthroughfromfemaleswritersandwriterperformerswhoareelevatingtheartformofcomedyandexpandingitshorizons.AsforKateDaughton,nolongerwillshecurseatmeforloudsneezingintheoffice.Partlybecauseshe’sleavingandmostlybecausewe’venotbeenintheoffice.Trulybereft;indenialthatshe’soffandwe’reluckytohavehadherforsolong.”CharlotteMoore,ChiefContentOfficer,says:“Kate’simpeccabletaste,whipsmartcomedybrainandbeguilingwayswithtalenthavehadatransformativeimpactonthecomedyoutputinhertimehere.ThefactthatBBCThreecanclaimtobethefirstUKchannelwithamajorityoffemaleledandwrittenscriptedcomedyisinlargepartdowntohervisionandpassionforbackinggenredefiningfemalecreatives.She’llbesorelymissedbutthankfullyleavesbehindaterrificlegacyofshowsahead.”
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Melissa Povenmire
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迈克尔·西米诺
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贝克·班尼特
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乔伊·金
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马特·琼斯
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丹·波文迈尔
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Carolina Ravassa
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Karalynn Dunton
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Thomas Sanders
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Joanna Hausmann
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在获得新技能后，跟踪Gretel和她的宠物仓鼠。现在，保护哥哥凯文必须弄清楚如何与格雷特和她的宠物合作，保护他们的城市免受神秘的危险。
