搜索"哈" ,找到 以下影视作品

内德的步枪
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  《内德的步枪》是三部曲的最终章,前两部分别是《傻子亨利》(Henry Fool)和《国家密码》(Fay Grim),为以另类眼光看美国社会的边缘提供了一个恰到好处的结尾。  在这部电影中,Henry(Thomas Jay Ryan 饰,《傻子亨利》片中角色)和Fay(Parker Posey 饰,《国家密码》片中角色)也出现了,但他们变成了一幅画像,慈爱地看着他们的儿子Ned,Ned今年十八岁,最近才刚从证人保护计划中释放。尽管基督教徒从他的养父-一个教堂牧师手中接过他抚养,但Ned还是设定了报仇的目标:杀死他的父亲,因为那个人毁了他母亲的生活。当这个严肃又端庄的年轻人开始他的复仇之旅,他很快就发现自己进入了典型的哈特利式的异端分子的团伙中……
梦话
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ANORA的老公常常迫害她 孩子还也对她欠好 她住在郊区 寥寂孤单 直到有一天 来了一个新街坊 IMOGENE卖给咖啡肤色的女人化装品 惋惜四周的人都不爱好 固然这无妨害这两个女人成为友人 或许不止友人 有一天ANORA的老公发明白她们 争论中ANORA错手杀逝世了他 于是她们把孩子藏到化装品贩卖车里 把遗体装进车尾 驱车埋尸
默多克之谜第十三季
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故事是发生在1895年的加拿大,主人公默多克是个年轻英俊的侦探,他的破案手段在当时看来都是非传统的,但却破获了一宗又一宗案件,他的上司虽然对他破案手法不屑一顾,但每次破案后又对自己有这么一个下属感到沾沾自喜,但病理学家却对默多克的破案手法很....
法律与秩序:组织犯罪 第二季
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  《法律与秩序:组织犯罪》是《法律与秩序:特殊受害者》的衍生剧,主演是曾在1999-2011年于剧集中演出的Christopher Meloni。Christopher Meloni会在此衍生剧中再次饰演Elliot Stabler,讲述他在纽约警局 领导一支反黑组。
森林泰山1997
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从小被猩猩养大的乔治(布兰登·费舍BrendanFraser饰)一直生活在茂密的丛林中,逐渐成了森林之王。白人少女乌苏拉(莱斯利·曼恩LeslieMann饰)与未婚夫莱尔(托马斯·哈登·丘奇ThomasHadenChurch饰)来到非洲丛林中探险。然而两人突然遭遇狮子的袭击,危急时刻,自私的男友居然扔下乌苏拉独自逃生。幸好乔治及时将她救下,将她带到丛林的树屋中。在这里,两人度过了一段美好奇妙的丛林时光,单纯善良的乔治也赢得了乌苏拉的芳心。然而死心不改的莱尔竟开枪射伤了乔治,甚至偕同几个盗猎者要抓乔治的猩猩朋友去卖钱。由迪斯尼公司于1997年推出的卖座喜剧电影《森林泰山》,根据美国六、七十年代同名电视卡通系列片改编而成。真人版的《森林泰山》,风格节奏及人物塑造依旧保持着原卡通片的幽默夸张,巧妙地保留了动画风格。本片在当年的全球票房收入高达一亿七千万美元,同时也捧红了“森林之王”布兰登·费舍,使他一跃跻身为好莱坞当红小生的行列。
鲁比
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RubycentersonRubyLandry(RaechelleBanno),bornintheLouisianabayouandwatchedoverbyherlovingGrandmèreCatherine(Judd).RubyisfilledwithhopeaslovebloomswithherhighschoolsweetheartPaulTate(Duke),butlingeringthoughtsofhermysteriousfatherandhermother'sdeathoftencreepintoRuby'smind.AsdarkfamilysecretsbegintorevealthemselveswhenPaul'sparentsforbidhimfromseeingRuby,RubyisfurtherdevastatedwhenherbelovedGrandmèrepassesaway.ForcedtofleetoNewOrleansfromthebayou,Rubysearchesforherestrangedfather(Bellows),oneoftherichestmeninthecity,assheclingstohermemoriesofPaulandtheirforbiddenlove.
祝祷
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一战时期诗人西格夫里·萨松曾因在西线作战时的英勇表现而被授予勋章,他最令人难忘的作品是关于一战的诗歌,这些诗歌为他赢得了公众和评论界的赞誉。而当他独自提出反战抗议时,他成为了军队中持不同政见的焦点。
难以置信的事实
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Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.  Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)  As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisonerpenitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone (I'm a mechanic), yet the symbolism is rich he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.  The scene between Josh and Jane (a wonderful, young Edie Falco . . . You need a woman not a girl) is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly arty and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual am notare too argument).  Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the unbelievable truth of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
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