Rina
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广濑贵士
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Constantlyonthehuntandsufferingfromhallucinationsthatdrivehisviolentnature,anunnamedmaniscapturingwomenandsavagelybeatingthemtodeath.Meanwhile,awomanisluringmenintoaviolentend,bywayofherknife.Drivenbythesameforcetomaketheoppositesexsuffer,thekillers’fatesintertwine.Thetwomustfaceoffinabattletothedeath,inwhichtheyareforcedtorevealthehorribletruthbehindtheiraddictiontomurder.“Brutal”takesaninterestingapproachtoitsvisuals,drawingheavyinfluencefromWestern“Grindhouse”films,usingafiltertomakethefootageappeargrainy,damaged,andwithlightandcolorfluctuations.Unfortunately,thevisualstylingendsupfeelingmisguided,asotherthanapplyingthefilteritdoesnotimitateanyotheraspectsofthe“Grindhouse”genre.Despitetryingtodirtyupthefilm,itisapparentitwasshotondigital.Thecinematographyisalsoastepabovemost“Grindhouse”productions,withTakashiHiroseprovinghehastalentbehindthecamera.Exteriorshotstothosetakingplaceinsmallspacesareallcompetentlyframed,lit,andtransitionwell.Thedecisiontoaddaneffectontopoftheworkhurtsthefilm’simageryandevengivesasenseofdesperationtotrytocaptureacertaintypeofnostalgiawiththeaudience,insteadofrelyingonitsownstrengths.Itisunfortunatewhenonecreativechoicecanhurtaproductionsomuch.Thestoryof“Brutal”issimplebuteffective,itdoesattemptsomesortofsocialcommentaryabouttheviolentnatureofmenandwomen,butitdoesnotofferenoughdepthintothesubjecttojustifytheamountofviolenceondisplay.Thefilmdoesendonastrongnotewithaninterestingtwist,witharevealthatisboundtogrosssomeout,whilegivingothersachuckle.Inspiteofitssimplenature,thosewhoenjoyfilmsthatmakethemsomewhatuncomfortableandenjoythechallengeofgettingthroughsomeultra-violence,“Brutal”posesafunandentertainingchallengeinthatregard.
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When an old-school bar owner and his unruly daughter get caught up in a cat-and-mouse game of corporate espionage, it will take brains, brawn and help from the lesser of two evils to make it out alive.
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Sarah and her friends decide to spend the weekend at an old villa Sarah mysteriously inherited. After finding a Ouija Board in the attic, Sarah and her friends unknowingly awaken an evil force connected to the villa’s hidden secrets. To fight the unimaginable horror they will have to face their darkest fears and worst nightmares.
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皮尔·卡丹
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让-保罗·高缇耶
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菲利普·斯塔克
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娜奥米·坎贝尔
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莎朗·斯通
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Guo Pei
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让-米歇尔·雅尔
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艾利斯·库柏
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迪昂妮·沃威克
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Kenzo Takada
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清水珍妮
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Hanae Mori
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Trina Turk
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Yumi Katsura
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Rodrigo Basilicati
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Amber Butchart
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谢丽埃勒·克莱尔
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荷赛·达阳
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宫海滨
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让·马雷
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让娜·莫罗
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他因保持「古装布衣化」,惹末路了全巴黎的计划师…专心从事高订服的皮尔卡登,带著灵媒给他的信,离开巴黎寻梦,却在圣多诺黑街迷了路。当他在爱马仕店前问路时,竟巧遇该信的主人－帕坎古装屋的计划师,自此开启他奇蹟般的人生…。由于介入片子「美人与野兽」打扮计划,皮尔卡登才干敏捷绽露。更因在迪奥学会成衣跟计划,很快便开设了本人的古装屋,并与法国巨星尚玛黑,义大利名导维斯康提!帕索里尼等人结为挚友,自此挤身下流天下。但是皮尔卡登由于保持「古装布衣化」被视为异端,一句「咱们所谓的『创意』,没人穿又有何用！」多少乎惹末路全巴黎的计划师,将他逐出了权倾一时的古装公会…。危急就是转折,当全巴黎都与他为敌时,皮尔卡登趁势而为,不只破天荒让高订服步下神圣舒展台!走近布衣,更放眼寰球!趁势攻佔岛国日本!中国及苏联等新兴市场。同时,他更做了一个被描述为「多少近自残」的举措,首开先河将本人名字受权涌当初不计其数种的产物上,却掉掉落难以相信的胜利,除为他赚进金玉举座的伟大财产,更让众人发明：本来所有都有可能产生…。
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Ari Albarrán
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Hayde Boeto
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劳尔·布里奥内斯
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Pedro De Tavira
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David Gaitán
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Karina Gidi
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丹尼尔·希梅内斯·卡乔
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泰莎·依亚
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达纳埃·雷诺德
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Luis Eduardo Yee
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在一场文学著述宣布会上,一位女性坐在台前,诵读著册本里的字句,仰头瞥见门口走进的男士,四目相望,勾起无穷回想。她是Rosario Castellano,上世纪墨西哥文坛最主要的墨客!作家,身为一位女性,久长以来努力为女性的权利!受父权社会压榨的群体而发声。在 1950 - 年月初期,事先仍是位文艺美女的她赶上了年青帅气的常识青年 Ricardo Guerra,两人步入婚姻有了独特的孩子,他成为哲学传授,而她则成为一位母亲!老婆与作家—这社会请求女性必需无前提地表演好前两个脚色,才不足地思考其他的事件。嗒嗒的打字机音响,成为本来相爱的两人最深入的熬煎,她如安在度量著文学创作梦与社会平易近众对女性脚色的等待之间获得均衡！
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A young girl living in a Palestinian refugee camp learns about her family's history through stories told by three previous generations of refugees.
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Fueled by the arrival of a young painter, Elpida is a housewife who finds refuge from her monotonous life in her own fantasy world. As this fantasy world becomes filled with thoughts of vengeful violence, the lines blur between fantasy and reality. As events progress, Elpida is forced to question her own reality as she struggles to remember what really happened. »Pause« is Tonia Mishiali’s debut as director of a feature film and is a personal movie about a woman’s struggle in an oppressive marriage. This movie is heavily influenced by Mishiali’s own upbringing in patriarchal Cyprus. »Pause« is a drama with dark humour that sinks viewers into the world of Elpida and makes them question the position of women as mothers, wives and daughters.
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1968年的德国,全部国度正在从二战的阴郁中逐步清醒,然而出身在“二战时代”的女主人翁伊伦的心坎一直甩不掉落战役留下的暗影,中年的她已有两个孩子：戴希曼跟华沙,原来一家四口应当享用着恬静的生涯,但伊伦的丈夫迪特尔却跟别的一个女人有染,这一点被伊伦发明,使她软弱的心灵再次收到损害,她想过一逝世了之,但释怀不下孩子,但已有力再继承料理家务,懂事的孩子们决议本人照料本人,生机母亲能快活起来,不幸的伊伦运气毕竟怎样！是挑选分开仍是继承如许生不如逝世的生涯呢！
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进程励志并不代表成果就是胜利美妙的,但是被人歌颂的励志故事却只限于有胜利作为条件条件的故事.人们老是如许,他们晓得他们如果胜利的故事,如许能力加以鼓励本人.但不堪利的励志故事未必见得就比那些胜利的故事减色,惋惜的是能懂得这此中出色的人也就只有故事的配角……
