Lina

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极度恐慌1983
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PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences.  We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film.  PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,
异界2020
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在一场伟大而奥秘的事变之后,一位年青有才干的修筑师在一个与事实天下类似的奇异天下里清醒,这个天下树破在这里国平易近的影象之上,而这些人则处于深度苏醒之中。因为这些人的影象力错落不齐!凌乱!不稳固,招致奇异的影象跟回想——都会!冰川!河道能够共存在一个房间里,全部的物理定律都能够被攻破,修筑师必需找到他们苏醒的详细法则,能力找到通往事实天下的出口。就在他与运气抗争的同时碰到了真爱,而阅历此次苏醒之后,他发明本人不得不从新意识这个天下……
阿什丽·加西亚的扩阔宇宙第二季
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Netflix的拉丁裔多镜头喜剧《阿什丽·加西亚的扩阔宇宙TheExpandingUniverseofAshleyGarcia》由MarioLopez及SethKurland所创作,剧中讲述15岁半的AshleyGarcia(PaulinaChavez饰)是个机器人工程师兼火箭科学家,她现在得到机会在大空总署中工作,于是Ashley搬家来到与喜爱玩乐的叔叔Victor(JencarlosCanela饰)同住;Victor是个前职业美式足球员,现在则是高中教练,过去从来没有应付过甚么大责任。
莱昂诺狂想曲
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莱昂诺是一位努力与生活缠斗,试图养家糊口的中年妇女。当她无意间读到剧本征集的广告后,她想起了曾经的电影生涯,想继续年轻时未完成的剧本创作。天不遂人愿,突发的意外将她的身体困在病榻,灵魂却因此闯进了她创作的故事中,上演了一场又一场令人目不暇接、天马行空的大冒险。
卓娅
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在德军占据的别特里歇沃村口,德国尖兵捉住—个正预备扔掷熄灭瓶的游击队员,朋友在审判时发明她是—个女人。这个被捕者后来以缄默反抗审讯,继而理直气壮地申斥这帮法西斯。朋友对她施以严刑,叫她供出本人是什么人。她逝世也不启齿。当她被关进牢房后,她开端回想本人短短18年的阅历。她有一个美妙的家庭,她在幸福中渡过童年时期,她从小性情倔强,遭到酷爱真谛!酷爱故国的教导,17岁时成为一名共青团员榜样。第二年,暴发了战役,她加入了游击队……朋友决议绞逝世她。她光着脚,俯首挺胸站在暂时搭起的绞刑架下,村平易近们集合在她眼前,她使劲摆脱德寇的手,本人登上绞架下的木箱,而后用洪亮的声响号令各人自发地投入战役,去扑灭法西斯强盗,而后沉着捐躯。
余烬将息
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 莱亚,一个不循分的美女,尽可能地应答烦闷症跟欺负。她一直地跟她那单亲的!苦苦挣扎的母亲产生摩擦,她被赶进了一群坏的所谓友人的圈子里。当她目击了一偕行刺案后,她发明本人被逼到了墙角,并为本人曾屡次试图牟取的性命而剧烈奋斗
生死之恋
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 加比在一个同样叫加比的男子身上找到了恋情,并与丹尼斯分享了一段久长而深挚的友情
特里萨和艾莉森
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一夜情酿成了劫难,特蕾莎(阿丽尔·霍普)发明本人被卷入了一个非人的蛮横天下,与此同时,俏丽跟不朽的艾莉森(莎拉·斯库夫斯)的引诱
为爱沉醉
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Comedy that takes the audience on a pub crawl around the seaside town of Hastings with its ensemble of fun and kooky characters as they tackle everyday life.
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