冯
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1979年暗斗顶峰期,身在东德的冈特(大卫·克劳斯 David Kross 饰)跟彼得(弗莱德里奇·穆克 Friedrich Mücke 饰)为了寻求自在,用超越两年的时光筹画了一场“惊天大流亡”:他们用无限的资本,克己了一个伟大的热气球,并盘算用它载着家人逃到西德。不意,就外行将超出边疆时,热气球却不测坠毁,引来东德机密警员漫山遍野的考察。在紧急的时光跟周密的侦察之下,他们冒死打造了新的热气球,而在此同时,机密警员也逐步锁定了他们,一场争分夺秒的绝命流亡就此开展…
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徐昌霖
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制作人陆立之原著屈松云导演徐昌霖副导演(助理)叶高编剧徐昌霖摄影罗及之美术设计蔡西冷录音周云麟展开演奏:上海电影乐团小周冯笑----阿菱向梅----老李于明德----洋湖镇供销社为了支援农业生产大跃进,下放一批店员深入乡村去工作,营业员小周和老李被下放到一个偏僻的乡村供应点。小周看到洋水村的一切都不习惯,店面小,货物多,吃饭睡觉工作都在一个房间里。他想,这么小的地方,派两个人来真是浪费人材,尤其营业要根据农民生产情况而定,他认为太不正规,他向老李提出要规定一个营业时间。老李表示反对说镇上派我们下来就是为了让农民方便,要是规定营业时间就不是为农业大跃进服务。农忙季节,村里人买东西的很少,老李闲着无事跑到田里与老乡们谈天,他了解到收割的时候要到了便与小周商量是否多准备一些镰刀。小周反对,...
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杨宗德
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黄梓贤的父亲已经弃甲逃逸,使得宛平城千名无辜嫡平易近惨遭日军屠杀,留下骂名。黄梓贤生机在疆场上为家属争回光荣,于是弃笔从戎,与叔父黄基破师长一起当兵抗日。黄师再次驻扎宛平城,宛平城里不人忘却两年前黄师退却形成的惨剧,梓贤更未料在这里碰到了可爱的女人——镇长之女茹莺,然茹莺恨透了黄师,由于她的未婚夫百口恰是由于黄梓贤父亲弃城逃跑,遭受意外,她深信未婚夫未逝世,耐烦等待。但是为了全镇嫡平易近安危,茹莺又不得不嫁给原来不爱的黄梓贤。这桩政治婚姻里,两自我相互熬煎,又相互暖和。但是浊世中的恋情老是因魔难而勾魂摄魄,梓贤终极逝世在疆场上,但求仁得仁,他还了父亲欠下的债,也掉掉落了茹莺的真情。
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拥有绘画天赋的阿明(王合喜)为令相爱多年的女友美仪过上优渥的生活,放弃成为艺术家转做挣钱较多的职员,他没想到的是,自己为梦想的未来辛苦打拼时,美仪竟背着他结识了比他有钱的男人,两人分手。而感情受挫更令他工作严重失误失掉工作。 为了有新的开始,阿明换了居住环境,结识房东小蕾(周海媚),后又成为她的同事,而工作中他的绘画才能也因偶然机会被老板赏识。朝夕相处中,阿明与小蕾生出感情,小蕾的哥哥(罗家英)也极力撮合两人携手同行。但这时美仪杀来回马枪。
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Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"? The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski) From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
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失明大律师文申侠(王浩信饰),因失明而努力练就出「超强四感」;律师楼「女师爷」赵正妹(蔡思贝饰),拥有江湖背景;女法官王励凡(李佳芯饰),勇于抗衡司法界的保守文化;私家侦探谷一夏(张振朗饰),以灰色手法搜证,四人为了公义,纵然「踩界」亦义无反顾!