Gio
搜索"Gio" ，找到 以下影视作品
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影片报告一位掳掠犯为保住他的钱包殴打一位老太太,此次变乱让他想起从前的犯法影象,今后他无奈继承安放心心肠过畸形日子。 阿根廷的赋闲青年米盖尔干起了掳掠的活动。他跟酒肉友人骑着摩托车抢走了一个刚走落发门的老太太的包。老太太逝世逝世地拽住包不愿放手,他们的车子拖着老太太开了很远...晓得老太太放手倒在地上。过后,米盖尔有些担忧老太太被本人弄逝世了,回过火去病院找到老太太时,老太太未然掉忆...对于仁慈跟救赎的探究,再加上一辆摩托车。
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萨弗罗姆/Safrom
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罗马尼亚新海潮导演康斯坦汀．波佩斯库(Constantin POPESCU),2009年曾当选第62届坎城影展一种注视单位。2017新作品「咎爱心风暴」(Pororoca),描写一位父亲由于女儿掉落随之而来的恶梦人生,性命的重心!婚姻裡的互信!乃至是品德跟感性,都一步一步被这个喜剧吞噬。导演以叙事写实,情节绵长而精致的口气,道出了为人怙恃者心坎最深厚的恐怖。而2011年卢卡诺影帝波格登德拉凯(Bogdan Dumitrache),也透过父亲一角由喜转悲的高难度归纳,荣登2017圣赛巴斯蒂安影展最佳男演员。
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约翰·特托罗
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Oleg Kisseliov
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凯瑟琳·博罗维茨
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朱利安·瑞钦斯
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卡尔艾拉切
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Pascale Devigne
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珍妮·海特梅亚
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Vanya Rose
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Tony Bentivegna Jr.
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Maria Bircher
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Noel Burton
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托尼·卡拉布雷塔
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Giovanna Carrubba
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Tom Chambers
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Sonia Dubé
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Robert Higden
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亚瑟·霍尔顿
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丽莎·布朗温·摩尔
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阿尔托·帕拉加米安
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一自我一旦发现本人的性命行将停止,就会发现对生涯有了新的意识。 Benjamin Kasparian是亚美尼亚血缘的古生物学家,刚与他的老婆阿曼达分别。在试图从新顺应独身生涯的同时,本杰明去看大夫并原告诉患有一种名为Talbot综合症的不平常的脑部疾病,而且他的性命只剩下五周。后来本杰明对他的运气持哲学立场,并决议尽可能多地享用本人分开的时光。对阿曼达,他最好的友人,老板跟新女友,他们都认为他应当更当真地看待此事。
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'Mothman' was yet another miserable 'original' film that SyFy decided to torture viewers with. Who at the SyFy Network is drinking the wrong Kool-Aid? They need to hire knowledgeable and intelligent decision makers when it comes to their line-up and production processes. The only thing redeemable about 'Mothman' is that the acting is above average for SyFy original features. The cast did a pretty good job with such a crazy, undeveloped storyline and script. The special effects were really pitiful - worse than the old dinosaur flicks from the 50's and 60's. With today's technology, someone with creativity and skill could have created much better effects with home computer equipment. I believe that any movie worth making is worth making right - as right as possible anyway. This starts with the writers of course. A solid plot, storyline and dialog really are the most important - special effects can enhance or destroy a film as well. Continuity is a major element in both, in order to eliminate possible holes and aid in believability. I guess the production company didn't have anyone who could provide continuity for the script or work-flow during filming and editing. Oh well. And why the heck did 'SciFi' change their name to 'SyFy'? Ridiculous!
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弗兰科·奇蒂
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弗兰卡·帕苏特
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西尔瓦纳·科尔西尼
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Paola Guidi
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阿德里娅娜·阿斯蒂
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Luciano Conti
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卢恰诺·戈尼尼
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Renato Capogna
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Alfredo Leggi
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Galeazzo Riccardi
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Leonardo Muraglia
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Giuseppe Ristagno
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Roberto Giovannoni
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马里奥·西普利亚尼
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Roberto Scaringella
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皮耶罗·莫尔贾
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Adele Cambria
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雷纳托·泰拉
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埃马努埃莱·迪·巴里
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Adriana Moneta
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影片表示了罗马郊区的青少年!妓女跟拉皮条的人的生涯,反应了地痞无产者跟被社会所鄙弃的人的生涯天下。这部影片布满天然主义,热潮部门带有激烈的宗教狂热,交叉着梦境,但又有显著的社会跟心思特色,影片以主人公富有隐喻的逝世停止。导演在该片中大批应用了现实生涯中的言语。
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During an outbreak of the bubonic plague in the magnificent Seville of 1587 - Mateo, a former soldier, returns, honouring his word to find and extract a dead friend’s son from the city. Previously, Mateo had been forced to flee the city to save his life, having been sentenced to death by the Inquisition for printing forbidden books. Before he can complete his task, Mateo is arrested by the Inquisitor’s bailiffs, who promise to pardon his life in exchange for solving a series of crimes of diabolic overtones being committed in Seville. Premiere of the first two episodes of the new TV series directed by Alberto Rodríguez.
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Winner of Best First Film at the 2018 - Nastri d’Argento Awards, Boys Cry is a pulse-pounding crime thriller set on the outskirts of Rome. There, teenage best friends Mirko and Manolo spend their days in school and their nights delivering pizza. The clueless teenagers dream of a better life filled with money and women. Not that they have much chance getting there on their meagre delivery boy wages. Commiserating about their prospects one night while driving the streets of Rome, the boys are in册ved in a fateful hit-and-run. Word of the accident earns the pair an introduction and a first assignment with the local Mafia. But while Manolo’s opportunistic father encourages his reluctant son to claim the glory and the rewards for himself, it’s Mirko who takes to the work with ease, testing the boys’ unshakeable bond. Premiering to critical acclaim at the Berlin International Film Festival’s Panorama section, a space reserved for films that showcase artistic vision and new cinematic directions, Boys Cry masterfully captures the unease, shifting allegiances, moral questioning and overwhelming sense of inescapability of life in Rome’s underworld.
