Ko
搜索"Ko" ，找到 以下影视作品
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罗宾自幼不母爱,他异常盼望掉掉落母爱。在本人的车队里他是头头,然而在与敌手交兵的时间不测得悉敌手是他的姊姊们。而此时被他们车队战胜的尼特罗队东山复兴......
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汤姆·麦卡锡
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该片改编自同名儿童小说,麦卡锡将同原著述者斯蒂芬·帕斯蒂斯独特编剧。该小说报告一个11岁的小男孩蒂米·菲悟,他是一个毫无眉目,却又自负搞笑的私人侦察机构总裁。而他的错误是一只设想出的北极熊。
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安娜索菲亚·罗伯
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丹尼尔·艾萨克
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米拉·索维诺
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罗瑞·卡尔金
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迈克尔·加斯顿
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阿德里安·M·蒙波因特
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汉娜·穆雷
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凯特·B·奥布莱恩
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Erik Van Wyck
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琪拉·皮查多
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Laurie Kwiatkowski
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Abri
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Kevin Daigneault
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Destiny Claymore
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Ethan Herschenfeld
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Andrea Kostovick
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一个年青女人的暗中路程,她的福气降低,并在奥秘的情形下有身。
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固然这学期曾经停止,但克莉丝汀内心一点都不是味道：昨晚她的一个同窗被发明逝世在校园,警方还未找到怀疑犯。她的友人艾米假期无处可去想在校园过暑假,面临不平安的校园,克莉丝汀决意让艾米去她家过暑假。在郊区的生涯很舒畅,但艾米是一个爱好掌控的女孩,没过多久她就主导了这个家庭的生涯,而每自我好像都被她搞的晕头转向的,尤其是克莉丝汀的父亲,异常爱好她。但是,当警方将黉舍的逝世亡变乱考察到艾米身上时,克莉丝汀的家庭也开端涌现了疑问
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玛利亚·德布斯卡
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赖塞科·利希塔
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克孜兹托夫·扎莱夫斯基
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Bartlomiej
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Kotschedoff
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Katarzyna
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Obidzinska
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Katia
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Paliwoda
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Rafal
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Rutkowski
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Dariusz
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Basinski
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托马·舍夫斯基
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波利斯·席克
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Piotr
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Kazmierczak
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Iwo
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Rajski
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Paulina
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Walendziak
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在10世纪60年代的波兰，演员卡里娜·谢鲁斯克红极一时。然而，在拒绝一名官员过后，她需要直面对方以摧毁她的事业而使出的威胁手段
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Kit is a model student who's going to receive a scholarship to study abroad. But problems arise and Olarn came to inform that Kit and 4 - other students won't receive the scholarship. The only way to solve this problem is that all of them must gather to form a band to compete in place of the old school band. Kit therefore gathered Tam, Farang, Tao, Ki and Fang. They're not confident that they'll win the competition and they face various obstacles, but Teacher Ben is always there to help encourage them.
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Lucid Dreaming forces the dreamer's dreamworld to merge with his waking one. But at what cost to the dreamer's grasp on reality? Dreams are doorways, but what are they really for? And, if you feel you must know, beware the TRICKSTER.
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广濑贵士
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Constantlyonthehuntandsufferingfromhallucinationsthatdrivehisviolentnature,anunnamedmaniscapturingwomenandsavagelybeatingthemtodeath.Meanwhile,awomanisluringmenintoaviolentend,bywayofherknife.Drivenbythesameforcetomaketheoppositesexsuffer,thekillers’fatesintertwine.Thetwomustfaceoffinabattletothedeath,inwhichtheyareforcedtorevealthehorribletruthbehindtheiraddictiontomurder.“Brutal”takesaninterestingapproachtoitsvisuals,drawingheavyinfluencefromWestern“Grindhouse”films,usingafiltertomakethefootageappeargrainy,damaged,andwithlightandcolorfluctuations.Unfortunately,thevisualstylingendsupfeelingmisguided,asotherthanapplyingthefilteritdoesnotimitateanyotheraspectsofthe“Grindhouse”genre.Despitetryingtodirtyupthefilm,itisapparentitwasshotondigital.Thecinematographyisalsoastepabovemost“Grindhouse”productions,withTakashiHiroseprovinghehastalentbehindthecamera.Exteriorshotstothosetakingplaceinsmallspacesareallcompetentlyframed,lit,andtransitionwell.Thedecisiontoaddaneffectontopoftheworkhurtsthefilm’simageryandevengivesasenseofdesperationtotrytocaptureacertaintypeofnostalgiawiththeaudience,insteadofrelyingonitsownstrengths.Itisunfortunatewhenonecreativechoicecanhurtaproductionsomuch.Thestoryof“Brutal”issimplebuteffective,itdoesattemptsomesortofsocialcommentaryabouttheviolentnatureofmenandwomen,butitdoesnotofferenoughdepthintothesubjecttojustifytheamountofviolenceondisplay.Thefilmdoesendonastrongnotewithaninterestingtwist,witharevealthatisboundtogrosssomeout,whilegivingothersachuckle.Inspiteofitssimplenature,thosewhoenjoyfilmsthatmakethemsomewhatuncomfortableandenjoythechallengeofgettingthroughsomeultra-violence,“Brutal”posesafunandentertainingchallengeinthatregard.
