雷纳托·卡朋特理
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奥地利诗人英格褒·巴赫曼与瑞士文豪马克斯·弗里施坠入爱河而又分手，为情所伤的她开启了前往沙漠的避世之旅。本片通过对巴赫曼与弗里施、德国作曲家汉斯·亨策、奥地利剧作家阿道夫·欧佩尔之间故事的交叉叙述，刻画了这位诗人从“为情所伤”到“追求意志独立”的女性自我觉醒过程。曾以《德国姐妹》拿下威尼斯电影节金狮奖的导演玛加蕾特·冯·特罗塔再次凭借其对女性人物细致入微的体察，展现了巴赫曼在公共光环背后更为真实多元的形象。入围2023年柏林电影节主竞赛单元。
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罗贝托·安度
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Valeria is the young assistant of a film producer. She lives in an apartment on the same floor of her mother and writes anonymously for a successful screenplayer, Alessandro Pes. One day she bumps into an odd retired policeman who tells her a criminal story. Valeria is wary but listens fascinated by him. When she goes back home she uses the story she has heard from the man as the subject for the forthcoming script of Alessandro Pes, which has been expected to be consigned to the producers for a long time. The subject is appreciated to the extent that the movie is financed even by foreign companies and an old but well-known American director is employed to direct it. However, this is a dangerous subject. In fact, The stolen Caravaggio tells the mysterious theft of a famous painting by Caravaggio, La natività, which has been stolen in Palermo by the Mafia. As a consequence, Valeria will play a role which is unusual to her.
