易卜拉欣·沙达德

苏利曼跟“苏丹片子俱乐部”的别的三名成员决议重振一家旧片子院。他们不只由于对片子的酷爱跟对规复古片子存量!再次存眷苏丹片子汗青的激烈盼望而连合在一同,并且由于他们都曾在放逐中接收过片子教导。不知倦怠地,他们试图让影院老板站在他们一边,让这个处所从新运作起来,但他们频频发明本人受到了相称大的阻力。同时,他们坐在一同议论从前——包含他们作为对峙艺术家遭遇危害乃至熬煎的阅历。他们还诵读亡命跟妄想苏丹时写的旧信,在那边艺术跟智力思惟能够自在。“咱们比他们聪慧,但不如他们壮大,”他们分歧总结了他们的处境。恰是在这些简练的时辰,不雅众能力够感知到友情,以及在为独特幻想而奋斗中存在的纽带跟认识状态的连合。 苏哈伊布·加斯梅尔巴里把苏丹片子的汗青放在影片的中央,同时也提醒了一个受到连续危急影响的国度的近况 Suliman and three further members of the ‘Sudanese Film Club’ have decided to revive an old cinema. They are united not only by their love of cinema and their passionate desire to restore old film stock and draw attention to Sudanese film history once more, but also by the fact that they have all enjoyed a film education in exile. Tirelessly, they try to get the cinema’s owners on their side and make the place operational again, but repeatedly find themselves up against considerable resistance. In the meantime, they sit together and talk about the past – including their experiences of persecution and even torture as oppositional artists. They also read out old letters written while in exile and dream of a Sudan in which art and intellectual thought can be free. ‘We are smarter than them, but not as strong,’ is how they unanimously summarise their situation. It is in laconic moments such as these that the viewer is able to perceive the friendship, as well as the bond and ideological solidarity that exists in the struggle for common ideals. Suhaib Gasmelbari puts the history of Sudanese cinema at the centre of his film and at the same time sheds light on the current situation in a country shaken by ongoing crises.