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大卫（甘纳尔·布耶恩施特兰德 Gunnar Björnstrand 饰）跟玛丽安（伊娃·达尔贝克Eva Dahlbeck 饰）已经也有过水乳交融的热恋时辰,但完婚之后,时光的流逝消逝了两人之间的豪情的火花,十五年后的明天,他们早已经分家,成为了形同陌路的最熟习的生疏人。 大卫是一名大夫,他同本人的一名病人有着超出了医患关联的情感,与此同时,玛丽安也在背后里跟名为卡尔（奥克·格伦贝里 Åke Grönberg 饰）的男子有着不合法的关联,而卡尔是大卫最好的友人。玛丽安踏上了前去哥本哈根的路程,偶合的是,在途中她跟卡尔以及大卫相遇了,这段不平常的路程让他们之间加深了对相互的懂得。

玛丽（Maj-Britt Nilsson 饰）是一位年青的芭蕾舞演员,有着精彩技巧跟姣好面貌的她外行业内的前程无奈估计。一次偶尔中,她在叔叔家碰见了名为亨里克（Birger Malmsten 饰）的女子,亨里克的漂亮跟温顺吸引了玛丽的留神,未经人事的玛丽很快就跟亨里克走到了一同。但是,没过多久,心坎的迷惑跟不安就让玛丽开端疑惑起了本人现在的挑选。 之后,亨里克在一场不测中摔伤了头部跟后背,如斯变故使得玛丽跟亨里克之间的情感走向了闭幕。悲伤的玛丽将全体精神都投入到了芭蕾舞的奇迹上,获得了不小的造诣,但是,跟着时光的推移,她心坎的伤痛却并不半分增加。一今日志的涌现让玛丽回想起了已经芳华幼年的时光,也让她下定了远行寻觅这份回想的信心。

dero以网恋欺骗手腕从这些人身上骗走大笔款项。命案现场不留下任何线索。 goeniak及sieland为了赶快破案,掉落臂主座schnabel的支持,决议上约会网站吊出嫌犯,两名诛嫌顺遂中计,但随后的开展出乎警探的预料。

德累斯顿警探karin gorniak及henni sieland动手考察保险公司司理heiko gebhardt命案,该保险公司以理赔前提严苛著称,gebhardt的上司跟客户对他不满。他的前共事martina scheuring转业当状师,帮助客户的理赔胶葛。两名警探在考察进程中,一脚踏入只顾好处不择手腕的保险业。

妖怪无奈忍耐牧师女儿的纯粹,他从天堂召回唐璜,下令这位有名的情圣去引导她。

九岁的rico掉落了,一群孩童在易北河岸边的塑料袋里发明他的遗体,面临如斯残暴的命案,德累斯顿警探henni sieland及karin gorniak抖擞起来试着破案,媒体报道惹起人平易近惊恐,两人面临破案压力。主座schnable针对命案及警方遭到的批驳,表示的异样情感召,并公然表示不满个资法对警方法律的制约。sieland及gorniak尽可能镇静地办案,无法找不到线索,直到一桶匿名德律风指出rico的泅水导师micha siebert涉嫌严重。rico的父亲晓得了之后,在震怒之下袭击siebert,又有一名男孩身处险境,三番五次的变乱让两名警探疲于奔命。

Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 - years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51 - nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.

第70届戛纳片子节(2017)一种存眷单位评审团奖获奖作品,影片报告了一个有身了的17岁美女Valeria,跟她同父异母的姊姊独特生涯,固然Valeria并不想要临时出席在她性掷中的母亲然而当她发明本人有身而且立刻要为一个婴儿担当叛逆务,她决议告知她的母亲。跟着女儿的到来,咱们也很快就能晓得为什么Valeria想阔别她的母亲…

Witnesses is a simple, yet powerful moving trilogy, depicting the horrors of the Holocaust. Each story in the film provides an unusual, yet harrowing perspective on the tragic events during World War II, told from the perspective of three uncanny witnesses. Shoes, the shortest of the stories, does not have a single line of dialogue or even a face featured in it. All we see is a pair of red shoes which beautifully depict first love, then marriage, the start of family life and the onset of the tragic war. Brutus, is a story about a German Shepherd dog separated from her beloved mistress and turned into a guard dog at a concentration camp. The final story, Violin, opens at the beginning of the 20th Century in a violin shop, where the instrument was created as a present for a Jewish boy. The violin becomes witness to the tragic events that followed during the Holocaust. A captivating score, makes this less than conventional film expose the sheer evil and terror that pervaded every aspect of the Holocaust, and is sure to open the eyes of everyone who sees it.

在这张来自瑞典的幽默,苦乐各半的浪漫笑剧中,永久的榜单制造人安东（Anton）爱上了大卫（David）,然而当安东（Anton）认识到本人的人生妄想可能与大卫（David）的妄想完整相反时,事件开端变得错误劲。

利佩尔大夫是个看似冷淡镇静,实则功于心计的男子。他与老婆完婚三年,老婆弗兰特殊诱人,利佩尔在跋扈狂的妒忌心的驱策下,将弗兰约束在本人的视线之内,以掩护她的名义监督着她!赶走她身边全部可能对他形成伤害的寻求者。然而,这种所谓的掩护实则让伉俪二人渐行渐远。而弗兰对本人的魅力一览无余,并且她也能从男子们陶醉入神的眼神中看出他们的饥渴,然而她被利佩尔困在这段不情感的掉望婚姻中,无奈解脱。雅克是弗兰浩繁寻求者中最特殊的一个,此次,弗兰确信,雅克是个差其余男子。现实证实,雅克成为了促使利佩尔匹俦婚姻停止的最后一根稻草,利佩尔像如今一样跟踪他们,应用大夫之便骗取雅克信任本人得了癌症,从而接收利佩尔的“医治”。雅克瘫痪后被利佩尔囚禁在休养中央。而有身的弗兰认识到本人深深爱上雅克之后,解脱了利佩尔的约束,去休养院将雅克接走,终极一家三口幸福的生涯在一同。

意大利南部吉普赛人聚居的社区,典范的贫困凌乱。十四岁少年盼望早日长大,像欧巴那样自食其力。他吸烟饮酒,从欧巴身上学会偷盗技巧,不识字不打紧,认得钞票才现实。欧巴被捕,他无以复加,偷车兼入屋爆窃,其间意识了非裔青年,骤觉世间无情。但是最后发明,成人礼的价值,是要理解背离与无情。美籍意大利裔导演乔纳斯·卡皮纳诺三年前拍过同名短片,此次得马丁·斯科塞斯跨刀监制,升引非职业演员,捕获穷人区的鲜活实感。代表意大利比赛奥斯卡最佳外语片。

1956年,两位高中生提奥跟库特在看去西柏林看片子的路上见到了匈牙利十月叛逆的消息报道。为了对叛逆的逝世者表现吊唁,他们跟同班同窗们决议,一同在讲堂上疏忽教师,突发缄默一分钟。但是这短短的一分钟彻底转变了班上同窗的运气,很多人今后被东德平安局视为眼中钉,加以监督跟危害。在班级被强行遣散后,他们却信心在西德从新结集,不外是以作为流亡者的新身份。

在意大利做效劳员的艾德里安前往故乡看望家人。他却发明老婆莫妮卡性格大变,儿子卢卡的生长超越了他的预感。他们花了一晚上的时光试图找回从前的感到。离开的这段时光让两人之间生出了不信赖跟迷惑,但也给了他们从新开真个机遇。

年青的玛丽,一个图林根玻璃吹风机的女儿,在怙恃逝世后违背了全部的传统。1890年,为了赡养本人跟她的姊妹,她成为劳沙小镇第一位女吹玻璃工,她的精巧玻璃圣诞舞会在美国涌现。

　　A group of former military elites set out to explore an uncharted abyss, not knowing their worst nightmare is waiting for them deep beneath the ground.

A widowed farmer begins a new life on her own terms by fighting against corruption and injustice in her community.

故事产生在十九世纪景致如画的意大利西西里岛,安琪（瓦莱丽亚·索拉里诺 Valeria Solarino 饰）跟莎拉（伊莎贝拉·拉贡内瑟 Isabella Ragonese 饰）是两小无猜的挚友,两人独特生涯在小岛上,日子过得忧心如焚。跟着春秋的增加,两个女孩之间纯真的友情垂垂改变为了恋情。 在事先,这段惊世骇俗的恋情显然不被社会所接收,安琪更是由于对抗家里的包办婚姻而被软禁在了山东之中。荣幸的是,安琪有一位合情合理的母亲,为了让女儿少受点苦,安琪的母亲修正了安琪的出身证实,将她的性别改为了男性。就如许,安琪在名义上成为了女子,这也就象征着她能够女扮男装瞒哄身份,同莎拉完婚。

　　Kostya and his friends are young and love playing street football. He is the coolest of the lot. Kostya dreams of playing professionally, but cannot bring himself to approach the coach. His girlfriend, Nastya, shares his dream, but street football is Kostya’s life, and the outdoor pitch is akin to a second home, a place for friends to meet and play.　　One day, Kostya’s team comes head to head with a group of Caucasians. They are lead by Damir, a professional footballer. A conflict arises between the two groups as neither the Russians nor the Caucasians are willing to share the pitch. So, they decide to hold a 3 - match tournament, with the winner keeping the pitch for themselves! Gradually, the whole neighbourhood gets dragged into this tough and uncompromising tournament. The stakes grow higher and higher and there is no way back. This is no football tournament anymore; it’s war, a battle to the death!

25岁的丹尼,在他如生疏人般的父亲忽然逝世后,他不宁愿地回到了童年时的家。令他惊奇的是,他渐渐地从新发明白他的故乡,一个无处可寻的夏季天堂,并从新爱上了他的前女友素素。但为了找到本人的人生目的,丹尼终极不得不面临多年前让他分开家的从前。

Gosha是一位来自小镇的聪慧猎奇的男孩,他跟来自莫斯科的小女孩Katya成为好友人后一同破解了外地汗青博物馆的偷盗案。博物馆中被窃走的留念章是寻觅传说中一名白骑士隐蔽的至宝的症结。而未多少前,当一个游览马戏团刚离开镇上的时间,博物馆则遭受了掳掠。

The 册atile intersections of contemporary Moscow and the intimate lives of five people.

二十年前,因为老公转投敌方阵线,维斯娜自愿带着两个孩子举家搬家到萨格拉布,但老公的战犯身份仍在影响着他们的生涯。女儿因为父亲的身份找不就任务,大儿子竭力抛清与父亲的关联,小儿子乃至因而自残。但是,一个不测的德律风,打乱了她重归于镇静的生涯,再次将她推回那段不肯再面临的疼痛影象。本片以战后的前南斯拉夫为配景,透过一名前战犯老婆的视角,报告了一个被战役扯破的家庭故事。战役的伤痛是如斯深入,嵌入人们终生的轨迹。本片并非空口说忘记,而是用精准的笔触展现了战役对平常生涯的点滴影响。

一对匹俦开端提前度假。孩子们径自一人逃学,直到谁人男孩由于逃学被捉住,事件产生了意想不到的改变。这部片子以精深的拍照作品而骄傲,其原创的终局也令人难忘。

The story of ten-year-old Nori plays out in Kosovo, in Germany, and on the road between the two countries. His father Gezim dominates his entire world, however, one day he leaves for work in the “West” and Nori won’t be placated concerning his sudden disappearance.

Ten directors of a new generation of filmmakers tell how differently people in Switzerland cope with the worst imaginable disaster; the fact of being dependent on other countries.

故事产生在东德刚崩溃的这个节骨眼上。里科（朱利斯•尼兹舒寇夫 Julius Nitschkoff 饰）!丹尼尔（梅林•罗斯 Merlin Rose 饰）!保罗（Frederic Haselon 饰）跟马克（乔尔•巴斯曼Joel Basman 饰）是生长在这个动乱的特别时辰的四位青年。他们用他们各自特其余方法来跋扈狂的浪费芳华。 在阅历的一系列跋扈狂的休会之后,四人合资开了一家迪斯科舞厅,哪晓得没开多久便被新纳粹青少年给占领了。与此同时,里科仍然保存着他想要成为拳击手的妄想,丹尼尔则对英俊的莱比锡（露比•欧菲Ruby O. Fee 饰）一往情深。当他们的运气被时期车轮裹挟行进时,每自我会走上一条怎么的途径呢！

　　一位寻觅本人掉散孩子的母亲跟一位有身却想回避义务的母亲悬殊的运气接洽在一同。

　　2013 - 年第二季「阿拉伯之星」驚爆阿拉伯天下,阿沙夫像導彈一樣把國界跟痛恨都轟得破碎。阿沙夫23 - 歲,第一個勝出的巴勒斯坦人,那夜,阿布阿薩（「破見天國」,30 - 屆；「命運在翻牆」）也在巴勒斯坦迫爆的廣場看直播,見證萬人空巷徹夜歡騰。拍好聲的翻牆故事,他夢寐以求。有現實的場景加沙及上演的住平易近加持,影片迫現罕見實感,故事由10 - 歲的阿沙夫給男仔頭家姐發掘打band 開始,至合法越境到埃及參賽,動人歌聲不是玫瑰色的,偶像誕生於亂世,有種責任。

　　一个工薪阶级的爱尔兰女孩,加入了一个英国贵族的花展,这个花展天下著名。于是女孩以她布满豪情与灵感的作风,在这个以经典传统为重的花展中自成一家,出类拔萃

两名大志壮志的状师在审理米洛拉德·克里斯蒂（MiloradKr.）案件时背靠背,米洛拉德·克里斯蒂是波斯尼亚一名因战役罪受审的批示官。

本片报告了一个在小山村子产生的乱伦故事。依据莎士比亚的「王子复仇记」跟欧里庇得斯(Euripide)的「伊拉克特拉」改编。一个缄默寡言的人回到了本人俏丽的故乡,他的母亲跟妹妹在外地的一家小酒吧里任务,与他们在一同的另有他妈妈的新老公。 这个男子盘算修复新父亲留上去的被损坏的棚屋,未多少之后他的妹妹也来赞助他,他们俩自我就这么一声不响地冷静任务。最后他们成为了情人,然而他们还要面对村平易近的讥笑,这所有弗成逆转地朝着喜剧走去……

與往年一樣,鹿特丹電影節往年（2007年）也会合了一批真正有设法!有創造力,在商業院線絕對看不到的別緻新穎的電影,鹿特丹電影節往年的開幕影片是一部阿根廷電影「天線」,這是一部獲得鹿特丹電影基金贊助的電影。它的寰球首映選在鹿特丹電影節,几多有些「匯報上演」的意思。 「天線」是一部异常美麗的彩色電影,它講述了一個發生在現代的童話故事,一座被電視台掌握的都会,人們都在它的掌握下丟掉了本人的聲音,只有一個生成雙目掉明的小男孩仍然擁有本人的聲音。電影節組委會認為,這部電影探索了媒體跟電視的气力。鹿特丹電影節專門有一個環節叫觀眾評分,每個觀眾進電影院的時候都會掉掉落一張表,表上設破5個分數欄,觀眾在看完電影後在相應分數欄打分。「天線」的評分是4.16,位居第24。

卡斯普是一位受人敬爱的高中汗青教师,因为基因缺点,他的目力正在逐步好转,面对着永远掉明的可能。最初他悲伤不已,为了保住本人的任务,也为了赞助他的先生们顺遂经由过程时末测验,他对校长瞒哄了他的安康状态。 Carte Blanche is a story about respected high school teacher who hides his progressing blindness from everyone around him - his friends, family, students and superiors. The medical diagnosis leaves little hope. Due to a genetic disorder Kacper is faced with a very real possibility of permanent blindness. Initially heartbroken, he decides to hide his health problems to fulfill his educational duty and help students with end of school exams.