影片库

在金碧辉煌的宫殿里，贝尔亚瑟王子（GeorgesMéliès乔治•梅里爱饰）正和他心爱的Azurine公主举行婚礼，阴森的老巫婆突然出现，被卫士们赶了出去。怀恨在心的老巫婆夜晚潜进Azurine公主的寝室，协同手下的魔鬼们将公主劫持。当王子赶到时，巫婆和魔鬼们已腾空而去。王子急忙组织军队准备营救爱人，这时巫婆再次出现，向他展示魔鬼岛上爱人痛苦呼叫的场景。王子百般请求无用，巫婆狞笑离去，正当无计可施之时，黎明女神欧若拉（BleuetteBernon饰）现身王子面前，为他组织了强大的战舰和军队。但巫婆再施魔法，用狂风暴雨将王子的战舰打翻。命悬一线的王子，最终能否救回心爱的女人？

阳光明媚的日子里，某所小学校园内，正是放课后的游戏时间。男孩女孩们在运动场上快乐玩耍，有的踢球、有的投球、有的在打电动，好不热闹。随着铃声响起，孩子们蜂拥冲向了教室，却把各自的物品玩具遗落在操场的各个角落。就在这时，不知是什么生物快速穿梭运动场的各个角落，把孩子们遗落的物品搜集起来，堆进了教室旁边的失物招领箱内。又是一个课间，孩子们再度冲了出来，他们有的从失物招领箱内找到自己的物件，继续快乐玩耍起来。这时，一个黑头发的胖男孩引起莫名生物的注意。男孩用各种方法欺负其他孩子，并抢走他们的物品。当上课铃响起时，黑发男孩突然发现他装满战利品的背包不见了，随后便发现背包被招领箱的小生灵抢走了。于是，一场背包争夺战随即展开……

在美国小镇一家超市的付款通道中，一个黑人对一个10岁白人小孩（JacksonRobertScott饰）微笑，不曾想，这个善意的举动受到误解，引发了帮派之间的对抗，并以惊人的结局收尾。

韩国某座平凡的小镇，居住着美丽的女子莲熙（文彩元饰）。她的生活单调无奇，当清晨的第一缕阳光射入房间，居住在美国的莎拉便准时打来电话。作为倾听者的莲熙耐心地听电话那头山南海北唠着家常，可每当提到结婚的问题，莎拉就变得怒气冲冲，言语刻薄。这究竟是为了什么？也许只有当事人才最清楚。记忆力逐渐衰退的莲熙，始终无法忘却那个令她挂念的男人珉宇。她叨念着珉宇回家的日期，偶尔去两人最常光顾的冷面店追寻往昔美好时光，冷冷地看着花枝招展的青年男女傻乎乎的从面前呼啸而过，日常里则更专注烹饪珉宇最爱吃的料理。时间凝滞，不着痕迹，莲熙仿佛永远生活在若即若离的幸福和期待之中……本片为“美好2014大师微电影”中的一部。

在北京胡同奔跑的青年（黄觉饰）在肯德基偷听到临桌女子的电话，试图与其联系；酒吧里，一伙男孩为心仪的女生叫价争夺点歌的机会；从商场出来的另一女子发现自己被一滑板少年所跟踪。与此同时，被寻人启事的男主角（贾宏声饰）陆陆续续的被人们所认出……

讲述一名园艺家宇航员坠毁在一颗荒凉的矮行星上，被困许久，当一个精灵到来后，曾经的独行侠发现了建立新生活的乐趣，并意识到宇宙已经提供了惊人的救赎。

兩個高中生閔何和三寶(sanbeom)是一對同性戀人。為慶祝他們的交往一百天紀念日，兩人前往海邊旅行。閔何即使在公眾場合也對三寶大方表示愛意，並不如何在意旁人怎麼看；相對地三寶卻總是為此感到不自在。那晚，三寶向閔何坦白了一個秘密⋯⋯

在中国新年前夕，居住在新西兰的中国留学生史蒂文(Steven)计划将自己的童贞献给一个在网上认识的陌生人。

Thefan-demandedsequeltotheawardwinning,internationallydistributed2005shortfilm’Dare.’BenandJohnny,nowintheirearly30s,fortuitouslyrunintoeachotheratapartyinLosAngelesafternotseeingeachothersincehighschool,wheretheysharedoneslightlydangerous,verysexy,boundary-pushingnightinaswimmingpool.Istheirconnectionstillalive,andwhatdotheydoaboutit?

Obsessedwithageneral'swoman,aclergymanhasstrangevisionsofdeathandlust,strugglingagainsthisowneroticism.本片以超现实的手法刻画一个迷上将军妻子的牧师，身负神圣的职责却挣扎于对性的欲望，而产生奇异的幻想。因有损神职形象和反宗教崇拜倾向，被禁止公映。

内详

Alongseriesofunrelatedimages,revolving,oftendistorted:lights,flowers,nails.Alightboardappearsfromtimetotimecarryingthenewsoftheday.Then,aneye.Awomaninacardrivesalongcountryroads.Farmanimals.Shedescendsfromthecar,againandagain.Images:dancinglegs,seashore,swimmingfish,geometricshapes,cutglass.Amanremoveshisstarchedcollar.Itrotates.Agirlhasgarishlypaintedeyes.No,she’sonlyfooling.Thosewerehereyelids.

阿忠一觉醒来，发现自己死了。他看着太太和子女处理他的身后事，一家人围着尸体一边吃早餐、一边七嘴八舌，阿忠也在旁边喋喋不休，但不论生前或是死后，他讲的话都没人听！他只能委托一个人，完成他最后心愿。

在超市工作的Miriam被丈夫虐待，决定在同事的帮助下带着两个孩子逃走。

第91届奥斯卡金像奖(2019)最佳纪录短片。这是一部关于月经和卫生巾的纪录片。讲述的是印度德里的一群妇女，为自己以及所有女性获得卫生巾的权利而抗争，而加利福尼亚州的一群高中女生们，给予了她们支持。

　　帕姆（李海娜 饰）是一个年青俏丽的女人,从前间在本国留学,现下刚回到海内。帕姆素性酷爱自在,神往自在自在的生涯,就在她认为如许的日子将要继承之时,一个突如其来的小侄女UK（Natthay Ongsritragul 饰）溘然离开了帕姆的身边,帕姆不得不承当起照料UK的职责。　　刚开端,帕姆对着UK这个古灵精怪的小家伙觉到不知所措,闹出了不少的笑话,但是跟着时光的垂垂推移,两人之间居然发生了坚固的默契跟亲情。与此同时,帕姆家隔邻的一位名叫百斯特（Anavil Charttong 饰）的漂亮男孩,由于UK的存在而跟帕姆垂垂发生了交加。但是,UK跟帕姆之间的关联却并不如设想之中那样简略。

内详

男孩從小以為閉上眼只是入夜,就像是遊戲中當鬼矇著眼般,但现在默念倒數聲不曾停歇,唯有聲音讓他不再觉得有趣。與音樂的相遇改變了他的性命,這機遇帶他踏出心中的那扇窗,體驗窗外的天下。經由真實被攝者與演員的即興上演,以手持攝影跟演員!空間互相激盪,安慰出更多的奥妙偶發時刻。「一年之初」女配角張榕容在本片中亦有清爽亮麗的上演。

2017年日本fabulousfour最优秀奖、观众评审奖短片。

男孩從小以為閉上眼只是天黑，就像是遊戲中當鬼矇著眼般，但如今默念倒數聲未曾停歇，唯有聲音讓他不再感到乏味。與音樂的相遇改變了他的生命，這機遇帶他踏出心中的那扇窗，體驗窗外的世界。經由真實被攝者與演員的即興演出，以手持攝影和演員、空間相互激盪，刺激出更多的奇妙偶發時刻。《一年之初》女主角張榕容在本片中亦有清新亮麗的演出。

他（浅野忠信饰）是一个科幻小说作家，已过而立之年还躲在家中，由于讨厌与人交流日常生活起居全由母亲（夏木玛丽饰）安排，他只专心创作，自顾自活在自己的世界里，就像一个永远长不大爱撒娇抱怨的小孩子。可就在某天，他的母亲突然去世。作家找到机器人研究所，希望从这里买到能够照顾日常起居的机器人。在社长的推荐下，作家将代号JILO的机器人带回家。JILO勤劳仔细，甚至还有一点儿任性的小脾气。作家对此颇感郁闷，他要求研究所将JILO调到正常模式，然而意想不到的事情等在后面……本片根据星新一的原著改编，是该作者出道50周年以及去世10周年的纪念作品。

Thenarrativevoiceofthedirector,throughhisownmemories,retraceshisfirstexperienceasacinemaspectator:attheageof5,accompaniedbyhissistertothecinemaGranKursaal,hewatchestheprojectionofthefilmTheScarletClaw(1944)byRoyWilliamNeill,withBasilRathboneinthepartofSherlockHolmes.AneventthattogetherwiththehistoricaleventsofSpainandoftheFrancoism,willmarkforeverhisimaginationandwillinfluencehisfutureexperiencesasadirector.ThisshortfilmwasspecificallydonebyVíctorEricetobeshownattheexhibition’Erice-Kiarostami.Correspondences’,heldattheCentredeCulturaContemporàniadeBarcelonafrom9Februaryto21May2006.

某乡村，一个小女孩莫名遇害，凶手是一名有精神障碍的流浪汉，面对无妄之灾，家属一家四口没有选择接受，盘算自行复仇的计划，并实施。

本片是导演陈哲艺为2011年“春到河畔”特别指导的十五分钟短片，时间跨越几十年，通过春节的变迁、人的成长与衰老，阐述一个家庭最核心的元素—亲情。从男孩成长为男生，再蜕变成男人，每逢春节，雷打不动的习俗依然是回家过年，为长辈、晚辈包个红包。在陈哲艺对作品的严格要求下，短片超资近三万美元。”我当时刚从伦敦回来，没积蓄，向朋友借了钱还债，结果我用了一年拍广告来还清“，陈哲艺如此说道。影片风格相当现实主义，戏剧性较弱，并非很有张力，所有镜头设计均为推动情节发展，点到为止，别具一格，不落俗套，具有独创性。导演陈哲艺是土生土长的新加坡人，毕业于英国国家电影电视学院，出道便以短片《G-23》一鸣惊人，第一部剧情长片《爸妈不在家》一举夺得第50届台湾电影金马奖最佳剧情长片、最佳新人导演及最佳原创剧本等重量级大奖。

当一个星际小鬼Skibumpers老师开释事实生涯中的圣诞白叟时,自在同盟必需结合起来挽救圣诞节。

Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.

“知道夏日幻魂吗？”通过网络相识的高中生，友也、葵、凉。据称，都市传说中被称作“夏日幻魂”的是一位年轻女性的幽灵，只要燃放烟花她就会现身。无法迈向心仪人生的“友也”寻找不到容身之处的"葵"美好未来不翼而飞的"凉"他们分别有着必须见到夏日幻魂的理由。在生与死交织的夏夜，三人各自的思虑会迈向何方呢——

短片的主角是一个小女孩。一天她遇到了一个面容恐怖的机器人。这个机器人帮了她。小女孩很好奇，一路跟踪对方。发现这个机器人的一天就是不停地帮助他人。机器人一路遭遇冷漠。小女孩看到机器人的境遇，忍不住劝：对别人好是毫无意义的，根本没人在意。但是，女孩在过马路时，自己的钥匙串掉了。指示灯马上就要变红了。在犹豫要不要捡的瞬间，机器人帮她捡了。那一刻，女孩发现，这个机器人才是人，而冷漠的路人才是机器人。

Thelifeofamisguidedandintenselyfocusedman,chronicledthroughhisoralobsessions.

　　大年夜,浓烈的春骨气氛中,葛优离开了一处神奇的“造相馆”,在过年之际,要拍一张有故事的相片。迪丽热巴!华晨宇!陈飞宇三位“造相师”死后白色的大幕渐渐翻开,葛优开端了一段奥妙的“造相”路程。兴许换一种角度审阅,人生的每一个霎时都布满了惊喜。

David(DamianJosephQuinn),justcamehomefromcollege,buthisparentslettheirnewlyhiredfarmhand,Brent(CooperStone),tostayinhisroom.Theattractionisthere,butsomehow,bothofthemhavebeensizingeachotherup.

Experimentalfilm,whitespecksandshapesgyratingoverablackbackground,alight-stripedtorso,agyratingeggcrate.OneofthefirstDadaistfilms.

一个女人在电话中得知，相爱五年的情人将于第二天与另一个女人结婚，于是她陷入了极度抑郁。

It’sMaxim’sbirthday.He’s8yearsold.Helivestogetheronlywithhismotherinavillagenotsoclosetothebigcity.Forhisbirthday,hismotherwilltakehimtoBucharest,toMcDonald’s.There,MaximhopestomeethisfatherWonCannesGoldenPalm-BestShortFilmWonStockholmFilmFestival-BestShortFilm

你是否也曾经历过，爱情中惯性被打破：煎熬的异地恋，或是突如其来的“被分手”你是否也曾遭遇过，爱上了不该爱的TA：是鼓起勇气面对，还是选择默默守候你是否也曾感动过，那些为爱的奋不顾身：拉风的机车，幼稚的气球，和“不经意”的偶遇当世界只剩最后8秒，你敢不敢为爱勇敢一回？这一刻，请别犹豫，勇敢爱吧！