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蓝光/2集全
《送我上青云》讲述了女记者盛男经历健康危机,不得不接受一份自己不喜欢的工作去筹手术费的故事。盛男在经历过一次又一次希望与绝望后,终于寻找到自己的方式与世界和解。影片通过盛男寻找自我的故事,深入都市女性的精神世界以及焦虑困扰,姚晨在腾讯视频独家纪录片中揭秘创作幕后,和决定拍摄该片的初衷。
蓝光/正片
蓝光/1集全
2002年,内蒙古考古队在集宁市土城子村勘探地形,依据现代舆图所示,在这个地区,已经存在过一个名叫集宁路的陈旧都会。当考古任务刚开端,一到处人类骸骨就裸露出来,考古队员在它们身上发明白战役的陈迹。在这里,好像已经有过跋扈狂的屠杀,而屠杀与战役,每每就象征着富有传奇颜色的汗青。
蓝光/3集全/已完结
蓝光/1集全
是由国家广电总局、北京市广播电视局指导,优酷全网独播的大型系列纪录片《这十年幸福中国》定档10月12日。节目邀请24位实力演员穿越历史时空,以24位历史人物,展开20段历史故事,铸就中华五千年文明丰碑。
蓝光/更新至18集
For a small nation Latvia seems to have produced a disproportionate number of exceptionally talented documentary filmmakers. Perhaps owing to the development of the school of poetic documentary film-making in Riga in the 1960's the likes of Herz Frank, Juris Podnieks, the Selecki clan, Una Celma and Laila Pakalnina enjoy a global reputation. Out of them all it is quite possibly Frank who is the best known and well respected. The man behind such classics as "10 - Minutes Older," "The Seven Simeons," and "The Last Judgment," he has served as a teacher, mentor and an inspiration to several generations of Latvian filmmakers. In Flashback the man who devoted his entire career to examining and recording the lives of others turns inwards and focuses the lens on his own life and career. What emerges is a portrait of a man who has been driven by the need to understand the human condition and who at the age of 75 - facing open heart surgery, is not sure whether he has seen enough to understand and yet weary from having seen too much. Part travelogue, part biography and part mediation on the nature of documentary film-making and life, Frank mixes footage from his previous works with more recent work to accentuate and attempt to illuminate his present. Opening with footage of the OMON attack in Riga in 1991 - which took the lives of cameramen Andris Slapins and Gvido Zvaigzne, Frank freezes on an image of Juris Podnieks (a frequent collaborator and former student and cameraman of Frank's), as his face registers the shock and realization that his own cameramen have just paid with their lives for his and their desire to pursue and document reality. (Podnieks himself would die in a tragic scuba diving accident only a year later.) As Podnieks' facial expressions play out in slow motion, Frank cuts to an excerpt from his and Podnieks perhaps best known work Ten Minutes Older. Ten Minutes Older was a single take shot with minimal lighting recording the reactions of children as they are watching a puppet show. Their faces covering the spectrum of human expression and emotion from joy to sorrow. From there he cuts to the face of one of the children in Ten Minutes Older in the present day. The setting is now completely different. Rather than a play in which we expect emotion, we now find the child as a man in the middle of an international bridge tournament where the expression of emotion needs to be suppressed at all costs. The face is older, but unmistakable in its identity. What may be hidden from his opponents sitting only inches away across the table is evident in the naked eye of the camera. It is this nakedness and what it ultimately shows us, and our desire and need to see it that is at the core of Flashback. The film covers In this day of an endless glut of reality TV shows which play to our most prurient desires Flashback reminds of us our higher need for the nakedness of "reality" that the camera can provide, our fascination with it and what it can ultimately tell us about ourselves. The major weakness of the film is that it is at times disjointed and discordant. The film attempts to do too much all at once. Any of the topics he touches on, from his open heart surgery to his wife's long illness and death, from his relationship with Podnieks to the follow up to the characters in Ten Minutes Older, his father's life and legacy, his own journey from Riga to Jerusalem, among many others, deserved and would have been better served by their own films. We are often left wishing that he had stayed with a particular story line while Frank and his camera have already moved on. Even the footage from his past works, while poignantly accentuating the present, often leaves us desiring a second and longer look at the past rather than returning to the present or jumping to the next subject. Despite this flaw the film is a fascinating look at a man fascinated with looking at people and the lives they lead. A collage sometimes leaving us wanting for more, but also leaving us with no doubts as to the skills of its maker.
蓝光/2024-01-2314:34:40
蓝光/5集全
中纳建交30年来,无论国际风波怎样幻化,两边一直同舟共济!联袂前行。为留念两国建交30周年。四集记录片「魅力纳米比亚」将引领人们走近这块俏丽的地皮,以多元的视角向人们展现这个布满勇气与热忱的地皮上曾经产生跟正在产生的故事,感触这个国度的奇特魅力。
蓝光/完结
蓝光/完结
蓝光/6集全
从二十世纪初到今天,战争发生了根本的变化。通过机械化和工业化解决冲突的方法,使战争艺术比以往任何时候都更具备高科技,更加昂贵,更具破坏性。暴力似乎是发明之母。华丽的骑兵部队被迫离开战场,取而代之的是坦克。火炮进入了科幻领域,甚至步兵也成为了一种致命的武器系统。这种战争的机械化要求军备工厂的迅速发展,所有这些工厂都竞相制造更大、更好、更快、更致命的武器。在20世纪,战争占领了天空,双翼飞机演变成无人机,随机投弹成为精确制导武器,可以射击蚂蚁大小的地面目标,或者投掷炸弹摧毁整个城市。
蓝光/6集全
蓝光/更新至06集
记录片「上线了文物 第1季」共30集,每粗放6分钟报告一件来自华夏的文物。在这里,你能够听到8000年前的声响,看到5000年前的故里陈迹,明白到3000年前的奖杯。 本次创作,不范围于博物馆里奇珍奇宝的传奇故事,也有奇迹古修筑当面不为人知的弯曲阅历。联合文物展现!3D建模!情景再现!汗青小戏院!采访!MV等多种方法拍摄制造。将以全新的视角,生动生动的画风,艰深易懂的言语,解读占有厚重汗青的华夏珍宝。让咱们不忘初心,知来处,明行止。
蓝光/完结
蓝光/更新至02集
蓝光/10集全
蓝光/完结
蓝光/全8期
蓝光/完结
蓝光/5集全
蓝光/HD
"I want to give a view of the world that can only emerge by not pursuing any particular theme, by refraining from passing judgment, proceeding without aim. Drifting with no direction except one's own curiosity and intuition." (Michael Glawogger) More than two years after the sudden death of Michael Glawogger in April 2014 - film editor Monika Willi realizes a film out of the film footage produced during 4 - months and 19 - days of shooting in the Balkans, Italy, Northwest and West Africa. A journey into the world to observe, listen and experience, the eye attentive, courageous and raw. Serendipity is the concept - in shooting as well as in editing the film.
蓝光/HD中字
一档商业观察节目。在中国的经济与社会领域中,梳理出五大全民高度关注的、正在发生巨大变化的时代大命题,由顶级商业观察者李翔,带着个人的好奇与公众的疑问,进入这些命题一看究竟,透过客观理性的商业视角,观察当下生活之变。
蓝光/全5集
5年时光,「唐探」系列用三部片子!一部网剧,发明白一个属于侦察的宇宙,也把唐仁!秦风为代表的浩繁侦察脚色,留在了不雅众内心。「唐人街探案」独家记录片共分为8集,从主创故事到拍摄幕后,笑泪齐飞地记载了这个系列IP的生长之路。大年终一上映的「唐人街探案3」,更将迎来一次全部侦察的集结,也是「唐探」系列的热潮。
蓝光/更新至04集
蓝光/完结
Directed by filmmaker and scientist Christi Cooper, YOUTH v. GOV is the story of America's youth taking on the world's most powerful government. In 2015, twenty one young plaintiffs, ages 8 to 19, filed the lawsuit Juliana vs. United States, asserting a willful violation of their constitutional rights in creating our climate crisis. If they're successful, they'll not only make ...
蓝光/2023-11-0606:03:36
由国度广电总局收集司跟国度卫健委宣扬司指点,中国生齿宣教中央与优酷网!中国传媒大学结合出品的5集记录片「第一线」,深刻武汉七家疫情患者收治病院,实在记载了疫情暴发后的50多天里,深处疫情漩涡的武汉的实在状况——有来自国度紧迫救济队的大夫,昼夜奋战在第一线与逝世神争取性命的触目惊心;有暂时搭建的方舱病院内,数千病人群体生涯的细节形貌跟心坎广告;有一般人在劫难中成为奔忙救济,热情义举善行的自愿者的动听故事;有居家断绝在自我束缚中展现坚固的一般嫡平易近……一个个实在的故事,展现这场疫情中的世间真情。
蓝光/完结
以史为镜,能够知兴替。腐烂与反腐烂是古代国度与社会开展进程中相随同的一种政治景象,研讨古代这些事件对咱们鉴戒汗青的教训以致在明天的政治生涯中直接反思都有着踊跃的意思。咱们拔取汗青上的实在案例作为切入点,用有血有肉的人物故事,跌荡崎岖的人物运气来打动不雅众,时期交叉专家剖析解读,让古代专家跟古代汗青人物树破逾越时空的对话,从而引领不雅众从古代人的代价不雅动身介入汗青案例的探讨,激发思考,实现汗青与今世的对话。让影片更像给不雅众讲一个自我物故事,经由过程故事来转达中心理惟,从而防止论体裁的说教或汗青年表的干燥列举。并从人文视角动身,用廉明崇高的品德精力来打动不雅众。
蓝光/完结