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With his firmly designed debut, Flemish filmmaker Kristof Hoornaert makes perfect slow cinema. Johan Leysen plays a hermit who leads a self-contained life in his simple house in the forest. On one of his strolls, he finds a half-naked young man, to whom he offers clothes, food and shelter. Their wordless companionship is put to the test when the police come to the door and the mysterious young man turns out to have committed a murder. The hermit faces a moral dilemma: should he help him or turn him in? The pure shots are back to basics – a window, the sun, faces – and Resurrection develops into a parable about cruelty in the world. The refined camerawork, in broad Cinemascope, is by the Lithuanian Rimvydas Leipus, well-known for the films of Sharunas Bartas, and Khadak by Jessica Woodworth and Peter Brosens. With his subdued acting, Leysen provides many clues to fathom his motives. His deeply-lined face tells a story of its own.
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音乐家乔治(杰拉尔·德帕迪约 Gérard Depardieu饰)跟园林喜好者布朗蒂(安迪·麦克道威尔 Andie MacDowell饰)的联合,完整是出自各自的私心:乔治来自法国,想掉掉落一张美国的绿卡,从而在这里开展奇迹;布朗蒂看中了一套公寓,却原告诉只有伉俪能力入住。于是,两人一拍即合,各取所需,完婚后很快就过回各不相关的生涯。 美国移平易近局的疑惑随之而来。为了一张绿卡而假完婚的案例他们见得多了,乔治跟布朗蒂的婚姻天然也逃不外他们的高眼。谨严当真的考察参与了这对“伉俪”的生涯。当初,乔治跟布朗蒂必需谋划出一个完善的爱情跟完婚进程,摆造出一同生涯的各种细节证据。为了能让婚姻变得愈加可托,乔治乃至住进了布朗蒂的家,两人却垂垂戏假情真。
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Also new to the slate is recently completed Australian title Rough Stuff, an action-adventure story about an activist group which makes a dubious deal with a group of treasure seekers and their modified four-wheel-drives on an expedition through the Australian outback.
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「博物馆」报告的故事产生在1985年,一群罪犯为了讥笑墨西哥人类学博物馆的平安指数,而去偷盗博物馆中的140多件前西班牙的文物。只管片子取材于1985年产生的实在变乱,片子与原始变乱自身一样让人受惊,它以精致的手段亲近本相,又在每一个转机处直接重塑,并鉴戒了多种片子范例。
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故事講述配角阿漢(黃鴻升 飾)是個熱愛舞蹈的青年,半途因為父親的賭債,自愿退出與幾個挚友共組的舞團。他四處打工賺錢償還債務,雖然舞團不绝地勸阿漢从新参加,但看著家裡遭遇高利貸的追討,阿漢會向現實低頭還是繼續追赶夢想呢!
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Beshay是一位已被疗愈的麻风病人,但他自童年起就从未分开过位于戈壁之中的麻风医院。在他的老婆掉落后,他第一次决议分开这里,踏上寻根之旅,一匹驴子跟驴背上的多少个行囊就是他的全体产业。在路上,他碰到一个努比亚孤儿并与他结伴随行。两人独特穿梭埃及,直面这个天下的罪行与慈善,并试图在这个进程中寻觅一个家庭!一座避风港跟些许人道……
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一名崎岖潦倒的音乐俱乐部老闆举行最后一场嘉会,找来友人!朋友跟酷爱狂欢作乐的怪咖齐聚一堂,共度跋扈狂跨年夜。
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故事产生于1943年炎天。Tuur跟Lambert是一对好友人,他们的故乡俏丽末路人。从Lambert爸爸的农场到树林里的奥秘窟窿,他们在天然的天下里畅游。然而战役的来临却让他们美妙的生涯一去不复返。Tuur的爸爸跟欧巴参加了抗战的步队,而Lambert一家则挑选屈从。 未多少,Tuur跟Lambert的故乡来了一个英俊的女孩子,他们三个成为了好友人,然而女孩却把她的机密只告知了一自我。令人意想不到的是,女孩的机密不只诽谤了Tuur跟Lambert之间的友谊,更为她招来了大费事。而对Tuur来说,这个机密不只会让他得到跟Lambert的友谊,更会让他痛掉全部家庭。他必需不吝所有价值同时保障所有人的平安。
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巴西曾一度因军事专制而陷于瘫痪。在1985年,巴西树破了平易近主基本。在2002年,巴西推举出了一位异常受欢送的政治推翻者:钢铁工人转为运动家路易斯·伊纳西奥·卢拉·达·席尔瓦(Luiz Inácio Lula da Silva)。在他的引导下,2000万巴西人解脱了穷困,他的国度在国际上申明鹊起。2010年,“卢拉”将总统批示棒传给了他的继任者,一个名叫迪尔玛·罗塞夫(Dilma Rousseff)的凶悍的女游击队队员。 然而,在他们阳光残暴的遗产当面,平易近粹主义末路怒跟机构腐烂的哗闹伸张到主流,此中大部门遭到一位党派法官的鼓动,这位法官给消息媒体供给了骇人听闻的!有严峻缺点的腐烂报道,这些报道针对的是卢拉(Lula)!迪尔玛(Dilma),以及其余谢绝谄谀有势力的政治家跟特殊好处团体的人。 经由过程异常亲密的触摸,「平易近主的边沿」紧随着巴西四周楚歌的引导人,他们正在尽力处置来自他们国度的法西斯主义从前并由一个末路怒跟认识状态决裂的国度鼓动的丑闻。就像希腊的一场大喜剧一样,佩特拉·科斯塔(Petra Costa)的片子也转达了一个无力的忠告:巴西的危急是由同样生逝世与共的政治气力统治的东方超等大国独特分管并鼓动的。
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熱愛網路成癮的阿藍(奇戈傑里科 飾)整天遊手好閒,沒有一份正經的任务,最愛隨時照相上網經營網路社群,不過他的妻子蜜雅(菈菈.卡梅拉 飾)近来懷孕正準備待產,為了不讓蜜雅的有錢外家看不起,阿藍提前看好醫院的VIP病房促銷活動,心想要藉此在全部人眼前揚眉吐氣一回。 沒想到,蜜雅住進病房的那天,阿藍彷彿衰神附身,本来準備好的病房費用居然在出院的時候进步,頤指氣使的外家人還剛好出現,就連債主也透過他的打卡相片找到醫院,為了规避這些恐怖的[凶神惡煞],逼不得已的他只得開始漫天撒謊,鬧出一樁樁笑話,不過事件發展卻越來越糟,就連他的婚姻也摇摇欲坠……,毕竟阿藍能不克不及擺脫衰運,證明本人是最佳丈夫呢!
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一个三十出头的女人从新发明白本人得到的信心;一位母亲尽力以赴确保她的孩子免于自愿忍耐的运气;一个罗姆人男孩的家人被杀戮,他的童年天下被消灭……Árpád Bogdán的新片基于实在变乱改编——2008!2009年在匈牙利产生的一系列带有种族主义配景的针对罗姆人的行刺案件。影片试图经由过程三个故事,揭穿行刺案对受害家庭与社区的影响,提醒匈牙利司法体制的掉败。
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Every year, a major football tournament for kids takes place in the Westman Islands, off the south coast of Iceland. This year, ten-year-old Jón, who is competing at the event with his team, will have to grow up faster than he expected, both on and off the pitch.
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The film re册ves around two singers who live on Mohammed Ali Street with absent financial and social conditions. A friend of theirs suggests that they meet women from well-off families and marry them.
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A beauty professional (Hani), a jihadist who recently joined an Islamic extremist group (Biboo), and a drug dealer (Samir) come across each other during a trip to Lebannon. Unintentionally,...
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The basic premise of SUBS is as banal as it is revealing. A wealthy man looking for a new housekeeper for his luxurious villa, places a wanted ad online saying "slave required". It is a rich man's joke. A cynical joke, but in the end a joke which brings Bartos and his young wife LANA into their home, changing CLAUS and EVI MÜLLER-TODT's lives forever. Events unfold and the couple, who have up to now been living a life of carefree prosperity, are forced to draw a line in the sand and show their true colours. With fatal consequences.
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For her rst television lm – a remake of Fassbind- er’s Die bi eren Tränen der Petra von Kant – direc- tor Vera wants the perfect cast. But the rst day of shoo ng is fast approaching and the numerous cas ng sessions have yet to nd a suitable actress to play the leading role. Although the producer and crew are ge ng ever more exasperated with Vera, Gerwin is happy about the extra work, as he earns his money as an audi on reader, delivering the lines of dialogue to the starry candidates at the various cas ngs. When the male lead suddenly has to back out, Gerwin thinks that this might just be his chance. Director Nicolas Wackerbarth captures the complex essence of Fassbinder’s lm and simultaneously cre- ates a profound work of his own. Cas ng takes an un inching look at the murky depths of human rela- onships driven by power, passion and despera on. Yet Wackerbarth also brings bi er truths to light about power rela ons and dependencies in the Ger- man television industry almost in passing. Cas ng is both intelligent and entertaining, marked by ex- ci ng turning points, humour and the breathtaking ac ng performances by a truly virtuoso ensemble.
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北海小鎮諾爾登是個寧靜的度假村,近来卻接二連三發生慘案。 安娜凱瑟琳克拉森探長碰上嚴重的人生危機,這個案件讓她更懷疑什麼是善!什麼是惡。 烏爾夫史拜瑟頭部中彈,陳屍在自家廚房,凶器為一把骨董槍。下一名逝世者是凱烏波夫,他的屍體出現在山坡上的羊群旁邊。兩名逝世者都受到行刑式狙殺,安娜凱瑟琳克拉森探長與夥伴威勒及魯伯特循線偵察,發現與智能障礙機構彩虹協會及該協會的巨額財務相關。協會員工憂心忡忡,他們的主管烏爾夫及凱毕竟做了什麼才引來殺機!下一名受害者是誰! 接著,一名小男孩在小徑上發現協會副理事長的屍體,他也慘遭謀殺。千鈞一髮之際,安娜查出结案件牽涉一樁大規模弊案,有人被惹怒,受害者生怕還會增长
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In the 1940s, Malays were world-renowned for their seafaring skills. Being of Bugis descent, they navigated the sea with natural ease and were often the favored seamen for international shipping lines.
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此片由格林纳威的老婆多媒体艺术家Saskia Boddeke导演,已于2017年11月21日在阿姆斯特丹记录片节首映。格林纳威的座右铭是“艺术就是生涯,生涯就是艺术”,似蝴蝶被捕捉,以字母表陈列,如百科全书般异常契及格林纳威作风,他与十六岁的女儿Zoë密切攀谈,以A肇端,代表阿姆斯特丹(格林纳威终年假寓荷兰),不躲避沉痛话题,他已多年未见别的俩孩子。此片记载的不只是一位艺术家的私密肖像,亦是一位父亲同时光的抗争。
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16 - 歲的安德雷性情彆扭,對充滿魅力卻態度冰凉的同學羅夢娜迷戀不已,直到他於度假時遇見美麗的飯店員工安娜夢娜,所有才出現變化
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1950年韓戰期間,土耳其軍人蘇萊曼中士發現一位快凍僵的韓國孤兒小女孩。他不顧性命危險將她偷偷帶回軍營,免得她遭到傷害。因為不晓得她的名字也無法溝通,蘇萊曼幫她取名為艾拉,以紀念他們相遇那晚的月光。兩人之間產生難以分開的羈絆,艾拉经常逗樂辛劳接触的土耳其軍人。戰爭結束時,蘇萊曼的軍隊也接獲告诉返國。蘇萊曼想要帶她一同回國,但當時局勢不允許,兩人自愿分離,一分開就是60幾年…。不過他從未放棄有一天要跟她从新團聚的生机,他們還有機會再見面嗎!
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遍灑雞血,巫師進行祭奠,為尼日利亞美女寶貝驅除恐懼,使她放心出國賺錢養家。抵達奧天时後,才發現所謂任务原來是賣淫。在鴇母威迫操控下,美女由同鄉新手阿歡帶領企街接客。阿歡雖怜悯關顧,亦隐藏私心,望盡快還清債務脫離魔爪,重獲自在與愛女團聚;無奈即便成為警方線人,亦未獲政治庇護,安身破命仍遙遙無期。伊朗裔女導演莫特扎從女性角度出發,參照部份非專業演員的親身經歷,以脚色名字反諷,虛構劇情寫照真實殘酷,震动平易近气。
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拉菲在跋扈狂的孟买当陌头拍照师,在孟买地标上为旅客拍暂时肖像。当他抱病的祖母——他始终生机拉菲能组建一个家庭——来看望她时,他力图上游地抚慰她。一次与仁慈而孤单的米洛尼相遇的机遇是绝佳的机遇,由于当拉菲约请她做他的假伴时,她很愿意跟他一同玩。但是,只管这个计划大大缓解了阶层差别跟阻碍这种连合的阻碍,但设想的情绪跟实在情绪之间的界线却变得越来越隐约。 Ritesh Batra回到圣丹斯片子节,在凌乱的越来越孤破跟分层的都会里,以奥妙的故事!宁静的浪漫!发明俏丽的长久时辰的接洽。Nawazuddin Siddiqui跟Sanya Malhotra为拉菲跟米洛尼的苦乐各半带来了温温暖软弱,Batra妙地提示咱们分享生涯小兴趣的高兴。其成果是对习见的实在交换的温顺颂歌。
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