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传奇摇滚乐队U2主音Bono与吉他手TheEdge重返音乐起点都柏林,名嘴大卫·莱特曼与其展开一系列关于音乐、友谊、成长的精彩对谈。
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苹果宣布,它已获得令人敬畏的纪录片《Fathom》的全球版权,该片将于6月25日在AppleTV+上独家首映。由德鲁·Xanthopoulos(“敏感人”)执导和拍摄,《Fathom》跟随Dr.艾伦·加兰和博士米歇尔·富内特,两位科学家专注于座头鲸歌曲和社交交流的研究。当他们在世界对立面开始平行的研究之旅时,他们寻求更好地了解鲸鱼文化和交流。这部纪录片独特地揭示了对科学pxrocess的深刻承诺和敬畏,以及人类寻求我们周围世界的答案的普遍需求。从假设到该领域的突破性经验,“法通”展示了领先科学家做出科学发现所需的激情、好奇心、合作、毅力和工作。
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从古猿开始直立,地球上出现了人类的文明史。石器时代,人们从生活的偶然现象中创造出了艺术样式;摩西的十诫居然是出自失误;在伟大的罗马城中,人们在集市上展示各种新奇发明,而领取失业救济金的脱口政治家卡库斯(梅尔•布鲁克斯MelBrooks饰)从经济人斯威特那里获得了一次进入皇宫表现的机会,卡库斯在集市上结识了被贩卖的才艺黑人乔飞斯以及女皇的女侍梅瑞,在凯撒面前表演脱口政治秀的卡库斯不慎口误,令皇帝勃然大怒,本来要被处死的卡库斯与乔飞斯二人一路杀出宫殿,在梅瑞的帮助下开始了东躲西藏的冒险生涯;随后的西班牙宗教法庭和法国大革命的故事都一一在导演梅尔•布鲁克斯的恶搞中呈现出别样的味道。©豆瓣
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孩童提米自幼丧母,困扰繁多:与继母矛盾连连,收养宠物斗牛犬被禁足。然而在第二天提米却认识一位“心灵相通”的朋友萨摩娜——从杂技场逃出的大猩猩。但生性活泼的大猩猩萨摩娜却把家里搞得一团糟,提米只好把它送到头脑秀逗的越战老兵威拉德家中,不幸的是,杂技场老板与狩猎者为了骗取保险金要杀死萨摩娜,更糟糕的是,一老一小组成的拯救二人组落入魔手,关键时刻,猩猩发飙了!
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"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
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An aging gangster named Charlie Valentine (Raymond J. Barry) attempts to rip off his mob boss but fails and barely escapes with his life to the west coast, where he obliges his son (Michael Weatherly) with lessons in how to be a criminal, while waiting for his vengeful former comrades to catch up with him. James Russo costars in this crime drama.
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迈克尔是一个完全放松的人,谁也不关心他。当他在林赛乐队找不到吉他手的职位,在途中丢掉工作时,他和巫毒女祭司达成了协议。如果他发誓要服从她,她答应他实现他所有的梦想。他成了摇滚明星,有很多女人——但要活下去,他必须杀了别人。
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Dexter Reed, a high-schooler is force to get a summer job at a fast food restaurant called Good Burger after causing a car wreck by his school teacher Mr. Wheat. So Dexter must pay off his teacher's car by working very hard at Good Burger. Meanwhile things turned worse when Mondo Burger, a mammoth fast-food chain opens across the street, it looks like Good Burger is soon going to be history for good! Now it is up to Dexter and his new friend Ed the not-so bright cashier to save the day, as they develop a delicious special secret sauce that Ed created brings hundreds of new customers to their door and makes their new competition desperate to steal the recipe and all of their customers.
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Beloved priest Father Thomasino is murdered in a San Francisco alley, and the police have few clues. But traffic cop Joe Martini becomes obsessed with finding the killer; he suspects Sylvio Malatesta. Ordered off the case, Joe turns in his badge and investigates alone. Soon he is a close friend of the Malatesta family, all delightful people, especially lovely cousin Anna. Uncertain whether Sylvio is guilty or innocent, Joe is now torn between old and new loyalties. Written by Rod Crawford <[email protected]>
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異男凱雷為了追求只愛GAY的女人─—關,聽從他同志室友的建議假扮成同志投其所好!此舉果然讓關對凱雷大有感覺,沒想到關還將他介紹給自己的舊愛,火力全開撮合這對同志佳偶,更令人意外的是,這位舊愛居然是他室友的夢中情人!
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本片女演员好莱坞红唇丽影 茱蒂·荷丽黛Judy Holliday获1951年第23届奥斯卡金像奖影后。财大气粗的布鲁克先生包下了旅店的一个楼层,随他而来的是他的恋人比利。报社的记者保罗来实现他的专访,放任布鲁克先生滚滚不停地报告他的胜利教训。他发迹于贩毒,而他的第一份任务是卖报。跟着他的买卖越来越大,要与很多下流人物交换,但是他的比利不外是独唱队的二流演员,粗暴!蒙昧,启齿就是错。于是布鲁克先生想到了一个方法,以每周200元的薪水雇保罗做她的先生,教她一些待人接物的技能跟礼节,转变她本来大吵大嚷!缺少修养的举止。待她有了开端的转变当前,比利开端瞧不起她的老板,由于他恰是从前的本人,她开端对抗老板的意志,这使布鲁克懊悔本人不应做现在的决议。乔治·顾柯(George Cukor),美国最出色的导演之一,是好莱坞少见的善于拍女性故事的导演。顾柯终生导演了65部影片;从30年月至60年月,均有佳作问世,可谓好莱坞的常青树,他5次掉掉落奥斯卡最佳导演提名,并与1965年凭仗「窈窕淑女」获最佳导演奖;美国导演协会于1981年向他发表了毕生造诣奖。1978年美国片子协会特殊为乔治·顾柯举行致敬会,在他从前只有5个影人受此殊荣。©豆瓣
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故事发生在一间狭小的房间里,一位儿童文学作家(玛德琳·斯托MadeleineStowe饰)正在被一位残暴的秘密警察(艾伦·瑞克曼AlanRickman饰)审讯。原因就是,她涉嫌在她出版的儿童读物中传达她的政治信息。然而就是这样一个莫须有的罪名,把作家折磨得生不如死,而那位秘密警察丝毫没有停止的意思。他唯一要做的就是折磨她,直到她承认自己的这个罪行。这是一部极富个性的电影。整部电影在一间狭小的房间中拍摄完成,在这整个过程中,只有作家和秘密警察两个人物。尽管演员阵容看似有点勉强,但仅有的两个演员都是非常有实力的老牌电影人了。整部电影几乎还原了真实生活中的一切丑恶的真相,两位主角的精湛演技也让我们更身临其境的感受了这种压抑的氛围。看过这部电影的人无一不被它那种直接而激烈的表达方式和尖锐的想法所震惊。把政府这样丑恶的罪行公诸于世的代价是非常大的...
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剥削片导演JamesBryan在1990年用自己的录像带摄影机拍摄了一部丛林砍杀片,但却一直没有完成剪辑,直到2016年在BleedingSkull公司的帮助下才最终成片。
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看起来诚实忠诚的汗青先生的格伦·兰道夫(大卫·克罗斯David Cross 饰)伴随在网上结识的女友翠茜·斯科特(朱莉娅·斯代尔斯 Julia Stiles 饰)离开友人艾玛(艾琳·海耶斯 Erinn Hayes 饰)跟皮特(布雷斯·米勒 Blaise Miller 饰)家加入派对。进门前翠茜特殊吩咐了多少条相对弗成提起的忌讳话题,然而拙于言辞的格伦为难之极仍难免触雷。本来欢声笑语的集会因皮特跟艾玛的仳离宣言而被缓和氛围所覆盖。落井下石的是,隔邻谁人总穿戴生化服的怪街坊哈尔向他们转达了一则惊人新闻:市中央发明喷射性兵器,辐射计将伸张到他们的住地。小小的屋子内,差别性情的男女,爆笑连连,却又啼笑皆非…… 本片荣获2012年埃德蒙德国际片子节评委会大奖不雅众挑选最佳影片!2012年新奥尔良片子节不雅众奖最佳影片。
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It’stheJonasBrotherslikeyou’veneverseenthembefore-gettingaroastingthey’llneverforget.
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卢瑟(克林特·伊斯特伍德 Clint Eastwood 饰)是一名技巧高明的神偷,在经由了深思熟虑的筹划之后,他将下一个目的锁定在了豪大亨沃尔特沙利文(E.G.马绍尔 E.G. Marshall 饰)的豪宅之上。在沙利文匹俦外出度假确当口,卢瑟潜入了大宅,合法信念满满的他预备大干一场时,卢瑟在面前的单向镜之中看到了沃尔特的老婆克里斯蒂(梅罗拉·哈丁 Melora Hardin 饰)跟一女子缱绻的身影,这个男子不是他人,恰是当今的总统艾伦(吉恩·哈克曼 Gene Hackman 饰)。 令卢瑟不想到的是,本来豪情四射的男欢女爱居然在刹那之间酿成了一场血腥行刺,卢瑟就如许眼睁睁的看着艾伦杀逝世了克里斯蒂,与此同时,他也成为了这场行刺的最大怀疑人。为了洗清本人的罪名,为了揭穿艾伦丑陋的嘴脸,卢瑟决议与罪恶一战究竟。
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在她们的60年月片子"男孩跋扈狂"从新宣布并掉掉落胜利之后,3位女演员(Piper Grayson, Kate Westburn 跟 Addie Holden)从新聚会,经由Kate Westburn的儿子跟她们司理的赞助,她们预备做一场重聚扮演。但是费事在于,这三位女演员以及她们的司理都相互恶感。
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